From Jim Kacian:
Call for Haiga
Red Moon Press announces a call for haiga submissions through the rest of the month for consideration of publication in contemporary haibun Volume 12. contemporary haibun has published 16-32 haiga in each of its first 11 issues and looks to continue this tradition. Submissions should be limited to 4 per contributor, and should be 300 dpi. Either jpg or tiff format is fine. Snailmail submissions are also welcome but because of the timeline must be received by 25February2011 to be considered. Email submissions to jim (dot) kacian (at) redmoonpress (dot) com, making the usual substitutions, or snailmail to Red Moon Press, PO Box 2461, Winchester VA 22604-1661 USA. Thank you, and good luck!
From Aubrie Cox:
Call for Submissions: An Anthology of English-Language Haiku by Women
Seeking haiku and senryu for an anthology focusing on excellent English-language haiku by women around the world.
Ladies, send 5-15 of your best haiku, published or unpublished, to paperlanternhaiku [at] gmail.com.
With your submission, please include your name, country, a brief bio of 150 words or less, and any applicable publication credits of submitted poems.
Nominations of poets and individual poems are also welcome, and strongly encouraged.
Deadline: April 15
At this time, unfortunately, there is no payment available for poems accepted.
From Michael Dylan Welch:
Haiku North America 2011 – Seattle, Washington
Save the date! Haiku North America 2011 will be held August 3 to 7, 2011, in Seattle, Washington.
Members of the Haiku Northwest group have generously offered to host the 2011 conference and they have many exciting plans already in the works, including a harbor cruise. The conference itself will be held at the Seattle Center, at the foot of the Space Needle, providing easy access to haiku writing and walking opportunities such as Pike Place Market (via the monorail), the Olympic Sculpture Park, the Experience Music Project rock-and-roll museum and Science Fiction Museum, and countless other attractions—including fleet week and the Seafair festival, with the Blue Angels performing overhead.
The conference theme will be “Fifty Years of Haiku,” celebrating the past, present, and future of haiku in North America. The deadline for proposals has been extended to February 28, 2011 (http://www.haikunorthamerica.com/pages/2011.html) but sooner is better. Proposals do not have to fit the theme. If you’ve already submitted a proposal, please confirm with Michael Dylan Welch at WelchM@aol.com that you can come to Seattle on the new dates. Speakers already include Cor van den Heuvel, Richard Gilbert, David Lanoue, Carlos Colón, Fay Aoyagi, Jim Kacian, Emiko Miyashita, George Swede, and many others.
Detailed information on registration, lodging, and the conference schedule will be available in March. For further information as it becomes available, please visit www.haikunorthamerica.com. And check out the new HNA blog at http://haikunorthamerica.wordpress.com/.
See you in Seattle!
Garry Gay, Paul Miller, Michael Dylan Welch
Haiku North America
Richard Krawiec sent this:
Curtis, remind your peeps Jacar Press has a call out for poetry submissions. Our last anthology took haiku by a number of writers.
http://jacarpress.com/submit.html
From an'ya:
Hello everyone, this is a Call for Submissions, for just one published haiku (with credits) or an unpublished haiku is also fine. Just your favorite haiku written to-date along with your name, city, state and country (and credits if previously published.) Email anytime to an'ya at haikubyanya@gmail.com with the subject heading HSA haiku Wall. The credits for will be are:
Published on the HSA "haiku Wall" exhibited in the historic Liberty Theatre Gallery at the Quarterly National Haiku Society of America Meeting in Bend, Oregon on June 3-5, 2011 and as part of the downtown Bend Oregon First Friday June Art Walk.
Please also help me pass the word even further along worldwide if you would. Our goal is 500 haiku but if we get even more, that would be fantastic! Full details about the whole event will be forthcoming at the HSA Website and the Haiku Oregon site within a couple of weeks. love ya . . . an'ya, HSA Oregon Regional Coordinator.
From John Barlow:
Hi All
Snapshot Press is currently holding a book sale exclusive to Mailing List members.
The one-off sale runs from the beginning of the traditional haiku season, risshun (the start of spring) (February 4), to the spring equinox on March 20. All of our titles are part of the offer, so why not take advantage of the sale to fill any gaps in your haiku and tanka collections or libraries, or to buy attractive inspirational gifts for the year ahead, or simply to read some different authors?
Simply pay for any 3 publications at any one time from the Snapshot Press site and get a 4th free.
If paying online please place your order as normal then send an email with your name and the name of the item(s) that you would like free to sales@snapshotpress.co.uk.
If ordering by mail order please just note the free item(s) required on your order form. Order forms are available at http://www.snapshotpress.co.uk/order_form.htm
Full details are available at http://www.snapshotpress.co.uk/mailing_list_offers/offers.htm
Snapshot Press receives no external funding. The press desperately need funds to commit to new projects, and, as ever, all donations and proceeds from sales are used towards cutting the shortfall in the costs of forthcoming titles and projects.
Thanks for reading!
John Barlow
Editor, Snapshot Press
e: info@snapshotpress.co.uk
w: www.snapshotpress.co.uk
Terms and conditions: The cheapest item (of the 4) is free, the offer ends on March 20, and all titles are subject to availability.
Ed Baker sent this:
here it is ALL FIVE BOOKS 525 pps (plus the intro) in ONE VOLUME:
via Leafe press who is in Nottingham, England
just select the country and the payment type
(Leafe is picking up the shipping cost):
http://www.leafepress.com/catalog/edbaker/stonegirl.html
this to you is about all I have to do with SG's production and distribution and advertising !
haijinx welcomes Roberta Beary as the haijinx quarterly editor for haibun. To learn more about Roberta Beary’s work, please visit http://www.robertabeary.com/.
For each haijinx issue, you may submit up to 2 haibun. No single haibun should exceed 150 words. We do not consider any haibun that has been previously published or accepted for publication in any form. We do not consider any unpublished haibun which include previously published haiku or haiku which have been accepted for publication.
Please submit your best work in the body of an email to
shortpoems at gmail.com
with ‘haijinx haibun submission’ and your name in the subject line.
The submission deadline for the spring issue of haijinx quarterly is March 1st.
Invitation to Apply for Membership in the Yuki Teikei Haiku Society (YTHS), which offers you a world of haiku practice
All readers of Tobacco Road are invited to join the Yuki Teikei Haiku Society (YTHS) for 2011.
* YTHS Members receive the GEPPO, the bi-monthly study work-journal. A member may submit three haiku for each issue; the haiku are published exactly as submitted. Each member may vote for ten haiku from the preceding issue. The GEPPO includes "Dojins' Corner" where Patricia Machmiller and Jerry Ball each select three haiku and comment on them. Thus writers can learn by studying the work of others and the responses from others to their work.
* Meetings are held monthly in various locations of the San Francisco Bay Area. Members meet (often in natural settings) to write haiku and to study the fascinating art of haiku.
* An annual members’ anthology is published. Members may submit their unpublished haiku and will have at least one poem published in the anthology.
* An annual haiku retreat is held each autumn at the lovely Asilomar Conference Center on the sea coast of Pacific Grove (near Carmel).
More distinctions of Yuki Teikei membership:
* Membership is worldwide: we have members from not only all regions of the U.S.A. but also from Canada, Ireland, Japan, and New Zealand.
* The GEPPO has served, since 1978, as a “town hall” for the society by communicating the ideas and the subtleties of traditional haiku writing.
Join Yuki Teikei:
* Send your membership check ($26 in 2011 for a U.S. address, $31 for an international address) with your contact information to the YTHS Membership Secretary, donnalynn chase, P.O. Box 320433, Los Gatos, CA 95032, USA.
* For further information on YTHS, see:
http://www.youngleaves.org/
Pamela A. Babusci sent this:
MOONBATHING
A JOURNAL OF WOMEN'S TANKA
EDITOR
Pamela A. Babusci
Moonbathing Issue 4 is now accepting submissions. I have additional copies of Moonbathing issue 3, hot off the press. If you wish to purchase a copy(ies), please see information below.
Moonbathing will publish two issues a year: Fall/Winter and Spring/Summer.
SUBMISSION GUIDELINES:
Moonbathing will feature only women poets. Send a maximum of 10 tanka per submission period. Submission deadlines:
Spring/Summer: In-hand Deadline: May 15th spring/summer themes or non-seasonal only
No previously published tanka or simultaneous submissions; no tanka that has been posted on-line on a personal website/blog.
SUBMISSION ADDRESSES:
Send your tanka IN THE BODY OF AN E-MAIL to: Pamela A. Babusci: moongate44(at)gmail(dot)com PLEASE NO ATTACHMENTS. E-mail submissions ONLY.
I hope that all tanka poets who have their work accepted will support Moonbathing by purchasing a copy or a subscription. If Moonbathing is to survive it will need your support and I will be most grateful for it.
DONATIONS MOST WELCOME.
DISCLAIMER:
Moonbathing does not assume liability for copyright infringement or failure to acknowledge previously published tanka.
COPIES/SUBSCRIPTIONS:
Subscriptions: $10 for one year (two issues) U.S. and Canada; $5 for single issue. International: $14
(two issues) $7 single issue U.S. dollars; send US cash or international M.O.—payable to Pamela A. Babusci to: Moonbathing Editor
150 Milford Street Apt. 13 14615-1810 USA
The Editor of Moonbathing is looking forward to receiving your best tanka. If you have any questions, feel free to e-mail Pamela A. Babusci moongate44(at)gmail(dot)com
Respectfully submitted,
Pamela A. Babusci, Editor of Moonbathing
Don Wentworth sent this:
http://lilliputreview.blogspot.com/2011/01/wednesday-haiku-issas-untidy-hut.html
Showing posts with label Haibun. Show all posts
Showing posts with label Haibun. Show all posts
Tuesday, February 15, 2011
Wednesday, April 21, 2010
Wednesday updates - 4/21/2010
Just a quick reminder about the 31st annual Haiku Holiday on Saturday, April 24th. I plan to attend. If you're in the neighborhood, please drop by. You'll find a friendly group of poets there, willing to share their knowledge and poems with you.
http://www.nc-haiku.org/meetings.htm#haiku-holiday
Richard Krawiec sent this update:
Fleur de Lisa wins Original Song competition.
This past Saturday Fleur de Lisa won the Original Song competition at the Mid Atlantic Regional Finals of the Harmony Sweepstakes National Competition for a cappella groups. The winning song, "Rainy Season" was written by Sarah Shunk, based on a haiku by Roberta Beary.
Although Fleur de Lisa didn't win the overall competition, the judges and audience were impressed with all six original songs they performed,which included three written to haiku by Beary, one based on a haiku by Richard Krawiec, another written to Jaki Shelton Green's free verse poem, and one original song written by Sarah. In addition to the Original Song winner, the audience favorite from their set was Slicing, also based on a poem by Beary.
Fleur de Lisa'a new CD, The Unworn Necklace, features songs written to a variety of poetic forms, including haiku by Basho and Issa, a relationship suite written to a series of haiku by Roberta Beary, and longer poems written by Jaki Shelton Green, former NC Poet Laureate Kathryn Stripling Byer, and Wendell Berry. You can hear samples at their website(link below). "The Sound of the Name' is from their relationship suite. 'Fireflies' combines Japanese Death poems written by Chine and Kagai.
http://haikusongs.com/discography.html
Lenard D. Moore forwarded this news to me:
The Jerry Kilbride Memorial 2010 English-Language Haibun Contest
Sponsor: Central Valley Haiku Club
Deadline: In hand by October 1, 2010
Submissions: All entries must be unpublished, not under consideration elsewhere, and in English. No limit to the number or length of any submissions. Submit three copies of each haibun, two (2) copies without author information attached for anonymous judging, one (1) copy with author’s name, address, phone number and e-mail address for notification purposes. A first prize of $100 and a second prize of $50 will be awarded. Honorable mention certificates also will be given. Winning entries will be published in an upcoming CVHC chapbook and will be available at the CVHC website.. The entry fee $5 (US) per haibun should be paid by check and made out to: Mark Hollingsworth (CVHC Treasurer).
Eligibility: Open to the public; CVHC officers are not eligible.
Correspondence: No entries will be returned. Send business-sized SASE for a list of the winning entries. Please note that entries without SASE, insufficient postage, or that fail to adhere to contest rules will be disqualified.
Judges: Will not be disclosed until the contest winner has been decided.
Send entries to: Yvonne Cabalona, 709 Auburn Street, Modesto, CA 95350-6079.
Penny Harter will read at the 2010 Geraldine R. Dodge Poetry Festival. The festival will take place October 7-10, 2010 in Newark, New Jersey.
More information is available on the festival web site:
http://www.dodgepoetry.org/
Saša Važic' sent this update:
The Haiku Now! Contest 2010 winners have been announced:
http://www.thehaikufoundation.org/contest/haiku-now-contest-2010/
http://www.nc-haiku.org/meetings.htm#haiku-holiday
Richard Krawiec sent this update:
Fleur de Lisa wins Original Song competition.
This past Saturday Fleur de Lisa won the Original Song competition at the Mid Atlantic Regional Finals of the Harmony Sweepstakes National Competition for a cappella groups. The winning song, "Rainy Season" was written by Sarah Shunk, based on a haiku by Roberta Beary.
Although Fleur de Lisa didn't win the overall competition, the judges and audience were impressed with all six original songs they performed,which included three written to haiku by Beary, one based on a haiku by Richard Krawiec, another written to Jaki Shelton Green's free verse poem, and one original song written by Sarah. In addition to the Original Song winner, the audience favorite from their set was Slicing, also based on a poem by Beary.
Fleur de Lisa'a new CD, The Unworn Necklace, features songs written to a variety of poetic forms, including haiku by Basho and Issa, a relationship suite written to a series of haiku by Roberta Beary, and longer poems written by Jaki Shelton Green, former NC Poet Laureate Kathryn Stripling Byer, and Wendell Berry. You can hear samples at their website(link below). "The Sound of the Name' is from their relationship suite. 'Fireflies' combines Japanese Death poems written by Chine and Kagai.
http://haikusongs.com/discography.html
Lenard D. Moore forwarded this news to me:
The Jerry Kilbride Memorial 2010 English-Language Haibun Contest
Sponsor: Central Valley Haiku Club
Deadline: In hand by October 1, 2010
Submissions: All entries must be unpublished, not under consideration elsewhere, and in English. No limit to the number or length of any submissions. Submit three copies of each haibun, two (2) copies without author information attached for anonymous judging, one (1) copy with author’s name, address, phone number and e-mail address for notification purposes. A first prize of $100 and a second prize of $50 will be awarded. Honorable mention certificates also will be given. Winning entries will be published in an upcoming CVHC chapbook and will be available at the CVHC website.. The entry fee $5 (US) per haibun should be paid by check and made out to: Mark Hollingsworth (CVHC Treasurer).
Eligibility: Open to the public; CVHC officers are not eligible.
Correspondence: No entries will be returned. Send business-sized SASE for a list of the winning entries. Please note that entries without SASE, insufficient postage, or that fail to adhere to contest rules will be disqualified.
Judges: Will not be disclosed until the contest winner has been decided.
Send entries to: Yvonne Cabalona, 709 Auburn Street, Modesto, CA 95350-6079.
Penny Harter will read at the 2010 Geraldine R. Dodge Poetry Festival. The festival will take place October 7-10, 2010 in Newark, New Jersey.
More information is available on the festival web site:
http://www.dodgepoetry.org/
Saša Važic' sent this update:
The Haiku Now! Contest 2010 winners have been announced:
http://www.thehaikufoundation.org/contest/haiku-now-contest-2010/
Tuesday, March 16, 2010
Tuesday updates - 3/16/2010
This just in from Norman Darlington:
The Plenitude of Emptiness
hortensia anderson : collected haibun
Preview of a title shortly available from Darlington Richards through Lulu.com, containing 115 haibun from this master of the poetic form which combines distilled, essentialized prose with haiku:
http://bit.ly/poe-preview
Ray Rasmussen sent this:
Just sharing something that I'm doing with some of my published haibun pieces that focus on my annual trip to Utah's Canyon Country with a photography add in.
http://raysweb.net/canyonlandsjournal/index.html
A new issue of Contemporary Haibun Online has been released:
http://contemporaryhaibunonline.com/
A new issue of Atlas Poetica : A Journal of Poetry of Place in Contemporary Tanka has been released.
http://atlaspoetica.org/
an'ya sent this (Click to enlarge an image):
We are getting ready early for our HSA Oregon Regional Haiku Meeting. It's in Oregon in May, but we would like to extend an invitation for any haiku poets to join us. Of course, an RSVP would be required for food purposes and if anyone stayed longer than one day. love ya . . an'ya

The Plenitude of Emptiness
hortensia anderson : collected haibun
Preview of a title shortly available from Darlington Richards through Lulu.com, containing 115 haibun from this master of the poetic form which combines distilled, essentialized prose with haiku:
http://bit.ly/poe-preview
Photography & Haibun: Canyonlands Personal Journal
Ray Rasmussen sent this:
Just sharing something that I'm doing with some of my published haibun pieces that focus on my annual trip to Utah's Canyon Country with a photography add in.
http://raysweb.net/canyonlandsjournal/index.html
A new issue of Contemporary Haibun Online has been released:
http://contemporaryhaibunonline.com/
A new issue of Atlas Poetica : A Journal of Poetry of Place in Contemporary Tanka has been released.
http://atlaspoetica.org/
an'ya sent this (Click to enlarge an image):
We are getting ready early for our HSA Oregon Regional Haiku Meeting. It's in Oregon in May, but we would like to extend an invitation for any haiku poets to join us. Of course, an RSVP would be required for food purposes and if anyone stayed longer than one day. love ya . . an'ya

Friday, March 12, 2010
updates - 3/12/2010
Ed Baker sent this wonderful haiga in response to the one I posted by Angelee Deodhar yesterday. He writes:attached is a "frog/pond poem... haiga that I did in 1999.
also
here is one that I sent to Cid in 2000 or so..
I think that it was published in Hummingbird, and/or Modern Haiku, and/or sketch book, and or moonset... I forget exactly.
so many frogs
in one pond
c r o a k i n g !
This just in from Carole Macrury:
The 11th Tanka Society of America’s
International Competition Call for Submissions
Deadline: Postmark date of May 10, 2010.
Eligibility: Open to all, members and non-members alike, except TSA officers and judges.
Regulations: Any number of tanka may be submitted. Entries must be original, in English, unpublished, and not submitted for publication or to any other contest.
Entry Fee: $1.00 per tanka, U.S. funds only. Please make checks/money orders payable to the "Tanka Society of America."
Submissions: Submit each tanka on three separate 3 x 5 inch cards, two with the tanka only (for anonymous judging), the third with the tanka and the author's name and address in the upper left-hand corner. Type or print neatly please.
Submit entries and fees to: Carole MacRury, 1636 Edwards Drive, Point Roberts, WA 98281-8511 USA
Awards: First prize: $100; Second Prize: $50; Third Prize: $25. Amount of prizes may be reduced if an insufficient number of entries are received. Winning poems will be published in Ribbons, the Tanka Society of America journal.
Adjudication: The name(s) of the judge(s) will be announced after the contest.
Rights: All rights revert to the authors after publication.
Correspondence: Unfortunately, entries cannot be returned. Please send a business size SASE for answers to queries or for a list of winning entries. For foreign entries, send a self-addressed envelope and one international reply coupon.
2010 Bath Japanese Festival Info Page
Alan Summers sent this (only 61 days left!):https://sites.google.com/site/bathjapanesefestival/welcome
Photos from the 1st Quarterly Meeting of the HSA (2010)
This just in from Deborah P Kolodji:
I've posted photos from the 2010 First Quarterly Meeting of the Haiku Society of America on Flickr. It was hosted in Pasadena, California by the Southern California Haiku Study Group.
http://www.flickr.com/photos/dkolodji/sets/72157623473511245/
Angelee Deodhar sent this link to several haibun by Geert Verbeke and friends:
http://haibungeert.skynetblogs.be/
Monday, June 15, 2009
CHO & Robert (Bob) Moyer
The summer issue of contemporary haibun online is available at the following URL:
http://contemporaryhaibunonline.com/
There are many fine prose pieces with poems in this issue, from some of the leading practitioners of the haibun art form in the world today.
The Winners of the Kikakuza 2009 Haibun Contest are also linked on the front page.
I was fortunate to film one of the poets featured in this issue a couple of months ago. Ethically, I could not publish the poet or his haibun until his excellent piece first appeared in CHO. Now that the summer issue of CHO is live, I'm very pleased to present:
http://contemporaryhaibunonline.com/
There are many fine prose pieces with poems in this issue, from some of the leading practitioners of the haibun art form in the world today.
The Winners of the Kikakuza 2009 Haibun Contest are also linked on the front page.
I was fortunate to film one of the poets featured in this issue a couple of months ago. Ethically, I could not publish the poet or his haibun until his excellent piece first appeared in CHO. Now that the summer issue of CHO is live, I'm very pleased to present:
Wednesday, March 25, 2009
Flash fiction haibun & Red Moon Press
Deborah P Kolodji has written an entertaining story entitled One Breath Moments. The story is unique in that it educates and introduces the non-haikuist to the world of ginkos and haiku. Perhaps we would have less spamku if more of these type of stories were written.
I received a notification from Jim Kacian that contemporary haibun volume 10 is available from Red Moon Press. Editors Kacian, Bruce Ross, and Ken Jones consistently produce the finest series of haibun and haiga anthologies in the world today. Hurry and order your copy.
I received a notification from Jim Kacian that contemporary haibun volume 10 is available from Red Moon Press. Editors Kacian, Bruce Ross, and Ken Jones consistently produce the finest series of haibun and haiga anthologies in the world today. Hurry and order your copy.
Tuesday, January 6, 2009
In response to the Basho video
I've received a number of email in response to the Bashô reenactment video I posted a couple of days ago. Not surprisingly, many of you were disturbed to see the manner in which the great poet handled the situation of finding an infant alone by a river.
By special permission of poet, Edward Zuk, and Modern Haiku, I'm reprinting this haibun which also addresses this event in Matsuo Bashô's life:
Edward Zuk
When I first read Journey of 1684 at university, I was so upset by it that Bashô tumbled from my pantheon of revered poets, and his work seemed tainted by what I believed to be his moral failings. How could he have left the infant to die? How could he not have done more? His musings about fate and acceptance seemed like poetic blather in this situation, and I found it easy to work up a sense of outrage that the haiku poet had been an observer and not an advocate.
Of course, I had passed by dozens — perhaps even hundreds — of street youth in Vancouver with less thought than Bashô had given this child. At most I had tossed them some change, muttered some consoling words to them or to myself, and then written a haiku, exactly as Bashô had done. Now I can understand Bashô’s actions in this passage. Few people of any age rise to the level of the Good Samaritan. I am no longer enough of a hypocrite to denigrate a poet for being an observer rather than a hero, even if I see our inaction as a human failing that neither of us has overcome.
____________
Reprinted from Modern Haiku 39:3 (autumn 2008), 84–85, with the permission of the author and the publisher.
By special permission of poet, Edward Zuk, and Modern Haiku, I'm reprinting this haibun which also addresses this event in Matsuo Bashô's life:
Edward Zuk
Orphans and Beggars
One of the most controversial passages in Matsuo Bashô’s writings occurs in his Journey of 1684, when the poet encounters a toddler who had been abandoned and left to starve:Near the Fuji River, we found an abandoned child about three years old sobbing in a piteous voice. “Assailed by the autumn wind, the blossoms on the bush clover plant will surely scatter tonight or wither in the morning,” I thought. “The child’s parents, unable to withstand the waves of the floating world, must have brought him to this swift river to await the end of his dewlike life.” I left him some food from my sleeve.
You who hear the monkey’s cries:
what of an abandoned child
in the autumn wind?
what of an abandoned child
in the autumn wind?
How could this have happened? Were you the object of your father’s hatred? Of your mother’s neglect? I can’t believe that your father hated you or your mother neglected you. No, this is Heaven’s doing; you must simply lament the fact that you were born unlucky. [Translation by Helen McCullough]
When I first read Journey of 1684 at university, I was so upset by it that Bashô tumbled from my pantheon of revered poets, and his work seemed tainted by what I believed to be his moral failings. How could he have left the infant to die? How could he not have done more? His musings about fate and acceptance seemed like poetic blather in this situation, and I found it easy to work up a sense of outrage that the haiku poet had been an observer and not an advocate.
Of course, I had passed by dozens — perhaps even hundreds — of street youth in Vancouver with less thought than Bashô had given this child. At most I had tossed them some change, muttered some consoling words to them or to myself, and then written a haiku, exactly as Bashô had done. Now I can understand Bashô’s actions in this passage. Few people of any age rise to the level of the Good Samaritan. I am no longer enough of a hypocrite to denigrate a poet for being an observer rather than a hero, even if I see our inaction as a human failing that neither of us has overcome.
She has fallen asleep
while begging for change —
the autumn moon
while begging for change —
the autumn moon
____________
Reprinted from Modern Haiku 39:3 (autumn 2008), 84–85, with the permission of the author and the publisher.
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