Victor P. Gendrano - Three Questions

Victor P. Gendrano is our guest this week on Haiku - Three Questions. He writes:

I am a retired librarian from the Los Angeles (CA) County Public Library. Since high school, I have been writing bilingually in English and Tagalog, a major Philippine language. For 13 continuous years, 1987 to 1999, I published and edited Heritage Magazine, an English-language quarterly on Filipino culture, arts, and letters here in southern California. I only stopped publishing it due to the illness of my wife and her subsequent passing away.

My haiku have been published mainly in World Haiku Review, but also in Lynx, Stylus Poetry Journal, The Heron’s Nest, Simply Haiku, Haigaonline, Sketchbook, Notes from the Gean, and others. Some of them were also included in numerous anthologies. My first book of haiku, Rustle of bamboo leaves, was published in 2005. I am presently working on the next one.

Now to the three questions.

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1) Why do you write haiku?

I relish the challenge to write in a few words the relationship between an occurrence in nature and human’s reaction to it at a given time and place which oftentimes resonate with each other.

2) What other poetic forms do you enjoy?

In addition to haiku, I also write tanka, haibun, Korean sijo, American cinquain and free verse.

3) Of the many wonderful haiku you've written, what do you consider to be your top three?

This is tough like you said. Here are three of my favorites.


sunny morning
a dewdrop holds
the universe

3rd place, The Mainichi Daily News Haiku in English, 2005 Annual Selection



sleepless night
I touch gently
her empty space

The Daily Yomiuri, Sept. 30, 2003



still in their box
the flowers start to wilt
Mother's day

World Haiku Review, Vol. I, Issue 1, May 2001
One of Takashi Hoshino’s Ten Winners in his World Haiku Kukai, April 12, 2001.


Sincerely yours,

Victor P. Gendrano
http://haikuharvest.blogspot.com

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If you've been enjoying this weekly series and have not contributed, please consider sharing your response (whether it be for haiku or tanka) to the three little questions that Victor answered. You must be a published poet to participate.

Haiku, Submissions, & Contest Results

Paul Conneally has an amazing collection of 38 haiku online. He writes:

Hi Curtis,

Here's a link to a haiku series published online by the Edward Bach Organisation Research Programme.

http://www.edwardbach.org/Research/docs/haiku/haiku.html

All that's best,

Paul

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Patrick Gillespie, poet and proprietor of PoemShape, sent this request:

I was thinking of putting together a post of Solstice Haiku. If everyone sends me a solstice haiku, including your readers, I'll put together something that we can all post at our respective blogs.

My e-Mail address is at my blog under Contact or, if interested, you can post it at my Guest Book.

Patrick

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The results of the 13 Mainichi Haiku Contest have been posted. A pdf document with more information is available here. It is a large file. Folks with dial-up Internet will have to wait for a long time while the document downloads.

Poets and Poems - Robert Moyer

Untitled

Innovative educators all, the state of North Carolina hired us to travel along the coast, across the heartland into the mountains to cajole and canoodle conservative teachers into using our unorthodox classroom approaches. Intoxicated by proximity, we hovered around each other buzzing from one constantly re-forming group to another, from off-beat coffee shops to two-star motel rooms around the Tarheel state.

After dinner, we end up at the New Bern beach. You and I drop behind the others, sinking deeper into the swell of our conversation, unable to stop talking about what we cannot stop talking about. The others disappear along the dark coastline. We edge toward the water.

ten years later
in your voice on the phone
salt air


Originally published in contemporary haibun online - June 2009, vol 5 no 2

Photo by Dave Russo

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If you would like to participate in this series, send a photo of yourself composing a poem or writing or a picture of a location where you enjoy writing, along with one of your poems (the type/genre of poem doesn't matter). This series will allow us to see the various locations that inspire us or where we go to write.

Contest News

Saša Važić sent the following contest news:

The Haiku Calendar Haiku Competition

Deadline: January 31, 2010.

Awards: £360/US $600 total prize money.

12 haiku will be selected as monthly winners and will be published prominently in The Haiku Calendar 2011. The prize money will be divided equally between the 12 winners. 40 additional haiku will be selected as runners-up and these will also be published in the calendar.

Entrants may win more than one prize.

Regulations:

Haiku should ideally include a season word. This may be a direct reference to a specific day, month or season (e.g. New Year’s Day, June, winter), or a phenomenon or activity associated with a particular season. Seasonality should ideally align with the traditional Japanese (and English) consideration that the equinoxes and solstices occur at the midpoints of their respective seasons.

Haiku may be free-form or 5-7-5 and must be the original work of the entrant.

Previously published work is acceptable, though haiku previously published by Snapshot Press are not eligible.

Any number of haiku may be entered.

Entry procedure:

Each haiku entered should be typed or written legibly in English on a single 3" x 5" (75mm x 125mm) card. Your name should not appear on this card.

Each haiku must be assigned to a month. This month should be written on the reverse of the 3" x 5" card. (Entrants from the Southern Hemisphere are advised to transpose certain composition dates by six months.)

The first line of each haiku entered should be recorded on a separate sheet of paper along with the corresponding month. (No entry form is necessary, though one is available in pdf format here if required.)

Your real name and your address should be recorded on this entry sheet only.

If you would prefer to be published under a pen name, or for your name to appear in a distinctive fashion (e.g. all lower-case letters), please also write this prominently on the entry sheet.

Entry fee: £3/US $5 per haiku, £6/US $10 for three haiku, and £12/US $20 for up to ten haiku.

Please make cheques/postal orders payable to “Snapshot Press”. US checks and banknotes are accepted. Euro banknotes will be accepted at the same rate as US dollars. Please do not send cheques or postal/money orders in Euro currency. N.B. Please do not send cheques or postal/money orders drawn on banks etc. in countries other than the UK (sterling) and USA (US dollars). (Entrants in Canada, Australia and New Zealand should send US or sterling banknotes, unless they have a US- or UK-based bank account.)

Address for entries: Snapshot Press, Orchard House, High Lane, Ormskirk, L40 7SL, UK.

Results will be announced on March 31, 2010.

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2010 Haiku Pen Contest

Only previously unpublished haiku poems accepted. Seeking high quality haiku poetry. There is no theme for this contest. Please type "Haiku Pen" in subject line to avoid deletion. Enter as often as you like by email (no attachments please) or by snail mail and you can make 1 total payment by paypal, US check or US money order.

Entry Fee: $2.00/haiku or $7.00/ set of 5 haiku

Winners and Honorable Mentions will be posted on website.

Open December 15, 2009 - April 15, 2010.

Awards:

1st Place Prize - $ 100.00 (US) & Certificate
2nd $ 50.00
3rd $ 20.00

Send to:

LPEzineSubmissions@gmail.com

Lyrical Passion Poetry E-Zine
The Editors
1900 Centre Pointe Blvd., Ste. 49
Tallahassee, FL 32308

Alice Frampton - Three Questions

Alice Frampton, a licensed pre-school teacher, stumbled upon haiku in January of 2000 while reading The Poet's Market. Luckily, she discovered Frogpond and a very helpful editor, Jim Kacian. Since then, she has been coordinator for the pacifi-kana region of Haiku Canada, taught haiku to elementary and high school poetry classes, helped found the Seabeck Haiku Retreat, had her haiku and related works published in many excellent journals and books, been embraced by numerous other fine haijin, and is now an associate editor for The Heron's Nest. In 2007, after thirty-four years living in Canada, she moved back to her hometown in Washington State to be with her aging mother. She is the author of one book: a gate left open (2009) published by Red Moon Press.

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1) Why do you write haiku?

I write haiku to create. After trying many different forms of poetry, I found haiku is the way I want to express what I am feeling right here, right now. Mostly I write for people, to convey what I would like to show them at any given moment. Does this mean that I write solely from an instant? No, it means that something jogs a moment and I want to share it with a friend and maybe, if it goes out into the world, with other poets. Since my youth, I have always written down snippets of ideas that touch me. Haiku fits this nicely.

2) What other poetic forms do you enjoy?

I love writing for children: poetry, songs, word play, even stories. I enjoy using nursery rhymes and songs and creating more verses for them. And I’m fond of using these as fun teaching tools, the sillier the better. I’m pretty good at limericks, too.

3) Of the many wonderful haiku you’ve written, what do you consider to be your top three?

These are my favorites:

so much to do

my son points out

the lightning

Haiku Canada Newsletter Vol. XIV February 2001

all the answers

in the back of the book –

summer solstice

The Heron’s Nest Vol. X September 2008

snow-covered hives

miles to go

for groceries

Frogpond Vol. XXVIII No. 2 Summer 2005

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If you've been enjoying this weekly series and have not contributed, please consider sharing your response (whether it be for haiku or tanka) to the three little questions that Alice answered. You must be a published poet to participate.

Contest News and Submissions

This just in from Dick Whyte:

Would you mind announcing that Haiku News is looking for Christmas submissions? Not necessarily Christmas themed (although, that is fine) but poems to put up over Christmas and in to the new year. What kind of news is happening this Christmas, and how does it interact with the holiday season? Particularly local news.

Haiku News: http://www.wayfarergallery.net/haikunews

All the best-

Dick Whyte

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Ðurda Vukelic-Rozic sent this:

We have a new "little haiku contest". Please, let the poets know about it.

Thank you,

D.V.Rozic

IRIS haiku magazine, Ivanic Grad, Croatia

A little haiku contest theme:

2010 - International Year for the

Rapprochement of Cultures

Please send two unpublished haiku.

Deadline: January 15, 2010

Judge: Boris Nazansky

10 awards: A free copy of the haiku magazine IRIS

e-mail address: iris.haiku@gmail.com

Subject: A little haiku contest

“The General Assembly, on 17 December 2007, declared 2010 the International Year for the Rapprochement of Cultures (resolution 62/90). It recommended that events be organized on interreligious and intercultural dialogue, understanding and cooperation for peace during the year, including a high-level dialogue and/or informal interactive hearings with civil society“.

Haiku, too, is a bridge between cultures. It is timeless and a worldwide phenomena. We hope to receive haiku by poets telling us about their experiences in meeting people, cultures and Nature at different latitudes and longitudes of our Planet.

Scott Owens & Basho Haiku Challenge

With much thanks to Jessie Carty and her excellent video poetry journal, Shape of a Box, here is Scott Owens reading from his new book of poems entitled Paternity.


Click on the thumbnail to order Paternity.

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And I apologize for this bit of news getting by me: The winner of the 2nd Annual Basho Haiku Challenge was announced on December 3rd.

Poets and Poems - Carol Peters

Swamp Fox Passage

And along the track, white sand
   and orange needles
in the narrow stretches, close-hauled shrub
   and shallow pools of rainwater
beyond the track, the swamp like an inland sea
mirrors in all directions
   so that the track seems a fragile dike
and the flooded pools, home to demons
seething, flicking their tails, the black tongues
anticipating dark delight
   a lone rider
pedaling like Fortune's child
   and her eyes peering forward to see what's coming
without a thought
   for beasts sunken in dark water
and when the bicycle's wheels are slinging rooster tails
   her socks and shoes brown with mud
a demon breaches
   and like Cupid's poison arrow, knocks her down.

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If you would like to participate in this series, send a photo of yourself composing a poem or writing or a picture of a location where you enjoy writing, along with one of your poems (the type/genre of poem doesn't matter). This series will allow us to see the various locations that inspire us or where we go to write.

Publications and Contest Results

Penny Harter is happy to announce that copies of her children's book, The Beastie Book, a richly illustrated alphabestiary of rhyming poems for imaginary creatures, have just arrived at the publisher and are now available. Since folks both at HNA and Seabeck asked when they might get one, Penny says that if you want the book before Christmas, you should order directly from the publisher at www.shenaniganbooks.com, or from the link Penny provides on her blog http://penhart.wordpress.com. The book is also now available for order on amazon.com, with a somewhat muted picture of the cover (the colors are richer). If you order from amazon, though, they say you'll have to wait until after Christmas for delivery.


[Penny Harter photo by Michael Dylan Welch]

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The results of the 11th Haiku International Association Haiku contest have been posted.

Ian Daw - Three Questions

Ian Daw has been writing haiku for over five years and has been published in a number of journals and anthologies. He is currently at work on his first collection.

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1) Why do you write haiku?

There's a strange perfection to a good haiku, it seems to show you how very much you don't understand and never suspected, when it takes the world right out from under you. This moment is usually presented in terms of tranquility and enlightenment, but in a way its extremely unsettling. In writing haiku I'm attempting to pursue and hopefully achieve that quality, but coupled to darker, more visceral imagery.

2) What other poetic forms do you enjoy?

Originally I read and wrote free verse, but after I read some tanka by Borges I got more and more interested in the idea of compaction.

3) Of the many wonderful haiku you've written, what do you consider to be your top three?


I don't know about wonderful, but I do have my favourites.


cracked mirror -
a part of my face
falls through

New Resonance 4



out of a nightmare -
all these bones
in my chest

Acorn 18



first incision -
a sparrow vanishes
in the sun

Roadrunner VI:4


Many thanks,

Ian

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If you've been enjoying this weekly series and have not contributed, please consider sharing your response (whether it be for haiku or tanka) to the three little questions that Ian answered. You must be a published poet to participate.

Publications, Contest Results, Call for Submissions

A new issue of The Dead Mule School of Southern Literature has been released:

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The November 2009 issue of Roadrunner has been released:

http://www.roadrunnerjournal.net/

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The results of the Irish Haiku Society International Haiku Competition 2009 have been released. Scroll down the page to see the competition results:

http://irishhaiku.webs.com/haikucompetition.htm

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From: Sketchbook Editors, Karina Klesko and John Daleiden:

Hello Haiku Poet,

Please consider celebrating the end of a successful year by participating in two haiku activities for the December 31, 2009 Sketchbook:

1)

"winter solstice" Haiku Thread: Submission deadline—Midnight, Sunday, December 27, 2009:

2)

"year ends" Kukai: Submission deadline—Midnight, Sunday, December, 20, 2009:


Sketchbook is now accepting submissions for the next issue. We publish all genre: tanka, rengay, haiga, renku / renga or other eastern genre as well as western genre such as free verse, cinquain, fibionacci, tetractys sestina, sonnet, etc. Here is a link to our current Sketchbook.

Submissions are due by 20, December 2009. Send to: submissionseditor@poetrywriting.org

The Sketchbook Editors send you seasons greetings and a happy new year. We look forward to your submissions in 2010.

The next issue of Sketchbook, Dec. 31, will be released during the first week of January 2010 at http://poetrywriting.org An e-mail notice will be sent to you when Sketchbook goes online.

Karina Klesko and John Daleiden

jd

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Apokalipsa haiku contest/corrected, see under limit

12th APOKALIPSA HAIKU CONTEST

Deadline: January 20, 2010 (postmark or email date)

Limit: 6 haiku, in English (please note: poets from Serbia, Croatia, Slovenia, Bosnia and Herzegovina may send their haiku in their mother tongue)


Snail mail:

The (one) envelope must include:


* 4 copies of 6 haiku, each marked with the nickname

* a separate envelope, marked with the nickname, including: author's name, post address, email address, phone number


Address:
REVIJA APOKALIPSA, Ul. Lili Novy 25, 1000 Ljubljana, Slovenia, "12th Haiku Contest"

Email:

apokalipsa@t-2.net

or

revija@kud-apokalipsa.si


In the body of email: 6 haiku, in English; author's name, mailing address, e-mail address, phone number.

Poets and Poems - Ellen Olinger

Deeper Places

I want to live
in the deeper places

where flowers
always get to bloom
at their appointed time

and are loved as much
weathered and dormant
and covered with snow

I want to live
in the deeper places

where loss is felt
tears are cried and
night becomes a friend

and then loss
dies too
new life arrives again

Oh, I want to live
in the deeper places

by Ellen Olinger, first published in Time of Singing (2003). Photo by Karl Olinger.

In memory of the loved ones in all our hearts during this beautiful season of hope.

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If you would like to participate in this series, send a photo of yourself composing a poem or writing or a picture of a location where you enjoy writing, along with one of your poems (the type/genre of poem doesn't matter). This series will allow us to see the various locations that inspire us or where we go to write.

Fleur de Lisa & a senryu call for poems

This just in from Richard Krawiec:

Fleur de Lisa will be on NPR's The State of Things Friday, Dec. 18 between noon & 1, probably towards the end of the show. They will be discussing their work and singing new songs, not on the Willow Songs CD. They are finishing the recording of their new CD, which features work by Basho, Issa, Japanese Death poems, Roberta Beary, as well as work based on free verse poems by Jaki Shelton Green and former NC Poet Laureate Kathryn Stripling Byers.

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Editor Al Pizzarelli is currently seeking SENRYU poetry for publication in upcoming issues of the Simply Haiku website.

SUBMISSION GUIDELINES:

1. Poets are urged to read the Editor's Introduction in the Simply Haiku Senryu section and read among the many examples of senryu in the SH archives.

2. Both unpublished and previously published senryu are invited. All previously published senryu must include the name and year of the publication in which they first appeared.

3. There is no limit to the number of submissions.

4. All submissions should appear in the body of the e-mail. Attachments are not acceptable.

5. Response time is a week or two from the date of submission.

6. Accepted poems are published within a year of acceptance. Some appear sooner than others depending on the featured topic of each issue.
Note: Topics are determined by the related subject matter of accepted poems and are not announced prior to each issue.

7. Bios & Photos should only be submitted by request of the editor.

8. Submit regularly.

Send submissions to:

PoetryA@comcast.net

Al Pizzarelli
SENRYU editor
Simply Haiku

..........................................................
Want to learn more about Senryū?
Listen to Haiku Chronicles: Episode 3 - Senryū, Son of Haiku
http://www.haikuchronicles.com/

Publications and a contest

The December issue of of The Heron's Nest is online and ready for viewing.

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A new issue of Notes from the Gean has been released.

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A new issue of Haiku Reality has also been released.

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Romanian Haiku Contest

The editing board of the Journal of Romanian - Japanese cultural interferences «Haiku» will organize the annual competition for haiku poems in fixed form, during the first trimester of 2010. The competition is open to all poets. Send six haiku poems in 5-7-5 format to the address of Mr. Constantin Stroe, Şoseaua Giurgiului nr.125, Bloc 4Ş, Scara 1, Etaj 8, Ap.31, Sector 4, Bucureşti, Of.Poştal Bucureşti, România, or to the following email addresses: valentin.nicolitov@yahoo.fr (French), and vasilemoldovan@yahoo.com (English). Deadline is March 31, 2010.

Only original haiku poems will be accepted, which have not been previously published in newspapers, journals, author volumes, or in any other forms up to the date of the competition. Hand-written text will not be accepted; texts should be list typed, with correct diacritical symbols and signed.

The texts of the foreign authors should be written in English or French as well as in the original. We prefer to send the texts by e-mail, New Times Roman 12.

A jury nominated by the editing board of the Haiku Journal will analyze the received poems, will grant qualifications and decide on the awarded poems. The results of the competition will be published in the Haiku Journal nr. 43 - Semester I - 2010, and the prizes and diplomas will be sent to the winners by mail. Quality poems which have been sent, even those who will not win awards will be selected for inclusion in International haiku Anthology 2010, Edition II.

J. Zimmerman - Three Questions

J. Zimmerman's poems have been published internationally (including Australia and Germany). She is co-editor & contributor for "Poetry at Ariadne's Web". She wrote her first haiku by accident, by chopping away the non-essential from longer poems. Currently she lives along the west coast of North America. She is practicing ukulele and to be a Halloween Biker Granny.

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1) Why do you write haiku and tanka?

Haiku to savor a moment.

Tanka to reflect on a lifetime.

Both haiku and tanka to preserve and share this dewdrop world.


2) What other poetic forms do you enjoy?

For a few decades I have studied and written in various traditional forms and their modern and international adaptations: my current favorite poem is John Yau's "Chinese Villanelle". I was finally able to appreciate and write tanka two years ago, after tanka poet Mariko Kitakubo's presentation at Asilomar (2007 YT Retreat) let me hear the sound of tanka.


3) Of the haiku you've written, what do you consider to be your top three?

The first of my current favorites happened because I was returning very late from the beach to continue a kigo workshop with my haiku mentor, Patricia J. Machmiller: I had no time to put on my shoes ...


Barefoot on gravel
if only I weighed much less --
a cloud of butterflies


October 2009 Chrysanthemum
(Thanks, Dietmar Tauchner)


- - - - -


Second is this one where I was experimenting with the "inner landscape" technique that I first saw in the haiku of Fay Aoyagi; I like its blending of a tanka sensibility into a haiku:


Sunset and moonrise --
if only I could learn
to be faithful


The Heron's Nest Volume XI, Number 3 (September 2009)
(Thanks, sub-editor Peggy Willis Lyles)


- - - - -


Thirdly, this was one of my few attempts at a one-line haiku:


Cutting    the plum tree's shallow roots    autumn equinox


Modern Haiku Volume 39, Number 2 (Summer 2008)
(Thanks, Mr. Trumbull).

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p.s.

I know you only want 3 haiku, but this is my life-long favorite as it was my first "real" haiku and was voted "top of the pops" in the kukai vote of the January 1996 Geppo:


waiting for moonrise
the man on the yellow cart
whistles Puccini

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If you've been enjoying this weekly series and have not contributed, please consider sharing your response (whether it be for haiku or tanka) to the three little questions that J answered. You must be a published poet to participate.

A haiga gallery, a contest, and contest results

There are many beautiful haiga created by Robert D. Wilson on display in The Wonderland Amusement Park photo gallery.

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Saša Važić sent the next two items:

The December 1st deadline is rapidly approaching for this haiku and tanka contest:

Commemorate Shinran Shonin's 750th Memorial Observance with Poetry Calling for Haiku and Tanka

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IRIS haiku magazine 3/4 2009

A little haiku contest Theme: Mars and Moon watching

Judge: Boris Nazansky

Awarded haiku

Pamela A. Babusci, USA

Mars viewing
or moon viewing
scent of fireflies

promatrajući Mars
ili promatrajući Mjesec
miris krijesnica



John Tiong Chunghoo, Kuala Lumpur, Malaysia

the sea tonight
sweeping to us
the stars

more noćas
doseže nam
zvijezde



Tanja Debeljački, Užice, Serbia

a black musician
and the moonlight
the ivory keys

crni muzikant
i sjaj mjeseca
dirke od slonovače



Marisa Fazio, Melbourne, Australia

mars -
my daughter asks
for toffee apple

mars -
kći me zamolila
jabuku u karamelu



Krzysztof Kokot, Nowy Targ, Poland

night-scented stocks smell -
in the rocking armchair
I'm looking at stars

miris noći u mirisu klada -
u stolcu za ljuljanje
gledam zvijezde



Jacek Margolak, Kielce, Poland

here & there
on the pond
the star

tu i tamo
na ribnjaku
zvijezda



Vera Primorac, Viškovo, Croatia

Expecting the Mars
From the Moon hangs
Moonlight

Čekam Mars
Na Mjesec obješena
Mjesečina



Stjepan Rožić, Ivanić Grad, Croatia

August night
swollen Mars floats on
the cricket's song

kolovoška noć
na pjesmi cvrčka lebdi
nabubrio Mars



Eduard Tara, Iaşi, Romania

Mars deeper
than all the coins –
wishing fountain

Mars dublje
no svi novčići -
fontana želja



Justine Zhang (11), Christchurch, New Zealand

Moon and Mars
United together
Cheese and wine

Mjesec i Mars
Zajedno
Sir i vino



Verica Živković, Starčevo near Pančevo, Serbia

the shadows
of an abandoned station -
August Mars

sjene
napuštene stanice -
kolovoški Mars

Poets and Poems - Tim Peeler

gravity 189


He ran like the thing itself

across the lazy hills where

the cows once lay just before

sunset licked the pines above

Lindsay’s field.

He ran slow as a wheeze

in October’s deep chest,

pumping his spindly arms,

through wild moustache grass

un-mown since late June.

He ran like the gentle hush

that falls over the field after

midnight, and his feet were

like the hands of an old clock

finding their way.

Two haiku related updates

Micheal O hAodha recommends these books by poet, haikuist, playwright, Gabriel Rosenstock (click on the images for more information):

Haiku Enlightenment

Haiku: The Gentle Art of Disappearing

Both books are available at amazon.com and c-s-p.org.

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Penny Harter sent this news item about Herman van Rompuy.

A sample of Herman van Rompuy's haiku is located here:

http://www.hermanvanrompuy.be/haiku/

I used Google Translate to translate the page into English:

http://translate.google.com