Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Friday, May 18, 2012

Friday Updates

Hello Sketchbook Readers:

The new Sketchbook Issue 41 is now on-line. The March / April 2012 Sketchbook contains poems, art and features by one hundred-four writers from twenty-one Countries.

March/April 2012: Cover:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/Sketchbook_7-2_MarApr_2012_Cover_Emily_Romano_Swan_and_Lily.htm

March/April 2012: Contents Page:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/0_Contents_Sketchbook_7-2_MarApr_2012_Contents.htm

March/April 2012: SHH2--spring Kigo results:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/Sketchbook_7-2_MarApr_2012_Karina_Klesko_SHH_2_Spring_Kigo.htm

March/April 2012: "swing" Kukai results:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/0_Results_Sketchbook_7-2_MarApr_2012_swing_Kukai_Results.htm

March/April 2012: "pond life" Haiku Thread:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/0_Results_Sketchbook_7-2_MarApr_pond_life_Haiku_Thread_Results.htm

March/April 2012: PTP results:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/0_Results_Sketchbook_7-2_MarApr_2012_Results_PTPC_Index_Shanna_Baldwin_Moore_Results.htm

From the Editor's Chairs:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/Sketchbook_7-2_MarApr_2012_From_The_Editor_s_Chair.htm

Announcement: May/June 2012: SHH 3--summer Kigo:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/Sketchbook_7-2_MarApr_2012_Announcing_SHH_3_Summer_Kigo_for_MayJune_2012_Issue.htm

Announcement: May/June 2012: "wedding / bride" haiku Thread:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/Sketchbook_7-2_MarApr_2012_Announcing_MayJune_2012_wedding_bride_Haiku_Thread.htm

Announcement: May/June 2012: "cloud(s)" Kukai:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/Sketchbook_7-2_MarApr_2012_Announcing_May_June_30_2012_cloud_Kukai.htm

Announcement: May/June 2012: PTP Contest:
http://poetrywriting.org/Sketchbook7-2MarApr2012-41/0_Announcement_Sketchbook_7-2_2012_PTPC_MayJune_2012_Shanna_Baldwin_Moore.htm

The editors are now accepting submissions until June 20, 2012 for the next issue: submissions@poetrywriting.org

Karina Klesko, US and John Daleiden, US
jd

Poetrywriting.org/Karina Klesko/Director
www.poetrywriting.org: Sketchbook
Karina Klesko, Senior Editor
John Daleiden, Editor/Webmaster



Charles Trumbull sent this:

Hiroaki Sato sent this to me — it might be of interest to you for your haiku services.

Best,

Charlie

Charles Trumbull
trumbullc@comcast.net


From: Hiroaki Sato
Date: Thursday, May 17, 2012 4:39 AM
To: Charles Trumbull

Subject: Another haiku contest

Dear Charlie,

Would you send this to those who might be interested? I am the judge of the English division

HaikuGrandPrix@nyseikatsu.com、

http://new-haiku.itoen.com/

Yours, Hiro



Deborah P Kolodji sent this:

Hi Curtis,

Could you put out a reminder about the 2012 Tokutomi Haiku Contest.  The deadline is coming up - it's May 31st, and I really haven't received a lot of entries so far.

Here's the link:  http://youngleaves.org/2012-tokutomi-contest/

This is a 5-7-5 contest, using only one kigo.  These rules were set in honor of the founders of the Yuki Teikei Society, Kiyoshi and Kyoko Tokutomi.

The Tokutomis founded the Yuki Teikei Haiku Society in San Jose, California, in 1975. Their vision was to nourish and foster the art of writing haiku in English using the traditional guidelines developed by haiku poets in Japan. As explained by Mrs. Tokutomi, in Japanese "Yu" means "having", "Ki" means "season", "Tei" means formal", and "Kei" means "pattern".

Therefore in the founders' view, "yuki teikei" haiku contains a season word and utilizes a three-line 5-7-5 pattern of syllables. In today's world, literary English language haiku is usually shorter than 5-7-5 syllables, even by members of the Yuki Teikei Society, however this contest continues to honor the vision of the founders of the society.



M. Kei sent this:

Take Five : Best Contemporary Tanka, Volume 4 Published by Keibooks


Perryville, Maryland – May 14, 2012 – Take Five : Best Contemporary Tanka, Volume Four Published


Take Five : Best Contemporary Tanka, the anthology series founded by tanka poet and editor, M. Kei, has announced the publication of Volume Four. Now on sale, it features 260 pages with the largest selection yet of tanka poetry and related forms, making it the single largest volume in the series. It retails for $18.00, and can be bought direct from the printer at CreateSpace.com, or through Amazon.com and other online retailers.

Buy link: https://www.createspace.com/3785119 -- also available from Amazon.com and other retailers.



Sasa Vazic sent this:

A gift haiku book from Damir Janjalija sent to you by his permission.

Hope you will like.
A paper edition will be printed soon.

Best regards,
Sasa



Call for Submissions: An Atlas Poetica Special Feature: 

Chiaroscuro - LGBT Tanka

Editor: Janick BELLEAU


Poets are invited to submit their work to a new Atlas Poetica Special Feature on LGBT Tanka.

The title Chiaroscuro is a veiled reference to Torikaebaya Monogatari (literal translation: ‘If only I could exchange them’ story) written around the 12th century in Japan by Anonymous (man or woman, to this day, we do not know). The story, graced with approximately 80 tanka (in the French version), has been translated into English by Rosette F. Willig in 1983 as The Changelings; into German by Michael Stein in 1994 as Die vertauschten Geschwister (lit. ‘The exchanged siblings’) and into French by Renée Garde in 2009 as Si on les échangeait. Le Genji travesti.

Torikaebaya is the tale of a sister and a brother whose mannerisms are those of the opposite sex. Their father, exasperated, decides to present them to the Imperial Court in the sexual identity of their choice; both siblings pursue fabulous careers. The Author touches many themes in this novel: not only are Lesbianism, Gayness, Bisexuality, Transgender tackled but Androgyny as well. The notion of ‘gender’ is played with humour and psychological insight: one might ask, did writers such as Balzac with Séraphîta and Virginia Woolf with Orlando know about Torikaebaya?

The whole book is ‘chiaroscuro’: whether it shows, at times, the emotional distress of the heroine as a divine nobleman; whether it portrays the shy brother as a lady confidant or ultimately, the lover of the Emperor’s naïve daughter; whether it relates to meetings of lovers between dusk and dawn. To learn more about this novel (characters, themes, authorship, translations), please click the links below: in English (http://en.wikipedia.org/wiki/Torikaebaya_Monogatari); in French (http://inalcocej.free.fr/textes-en-ligne/Torikaebaya-fr.rtf). One might also wish to enjoy M. Kei' s review of the book: http://bookworld.editme.com/REVIEW-THE-CHANGELINGS-A-CLASSICAL-JAPANESE-COURT-TALE

You are invited to enter 3-5 tanka. Your five-line poems (no capitalisation, little punctuation) are to be included in the body of the email, without attachments. The tanka, submission open to everyone, should have a positive outlook on LGBT. Poems submitted must be previously unpublished and not under consideration elsewhere. The Editor will accept a pseudonym for poets who prefer to remain anonymous. Complete ATPO guidelines and previous Special Features may be viewed at Atlas.Poetica.org.

Your name, country, email address should be included in the email. Please, do include a bio sketch (75 words max.). Contributions should be emailed to Editor Janick BELLEAU at janick_belleauATyahooDOTca (there is an underbar between the first and last names), the Subject line being “ATPO Special Feature submission - LGBT Tanka”.

Due date for submissions: August 3rd, 2012.

25 successful contributors will have a single poem published OR 25 selected tanka will be included when Chiaroscuro - LGBT Tanka appears as an Atlas Poetica Special Feature in September 2012.

Thank you in advance for your submission.

M. Kei
Editor, Atlas Poetica
A Journal of Poetry of Place in Contemporary Tanka

AtlasPoetica.org



an'ya sent this poster about the Second Friday Art Walk Exhibit. Click the image for a better view.

Wednesday, February 3, 2010

A New Year's Message & A Haiku Workshop

Here is a wonderful message and beautiful artwork from Merrill Gonzales:

Happy Lunar New Year of the Tiger

The Tiger is compatible with the Dog and the Horse and is also in harmony with the Pig. The sign opposite the Tiger is the Monkey and it is said that if the Monkey and the Snake (which also has a hard time in the year of the Tiger) puts a Pig in their pocket it will ease their way through the Year of the Tiger.

I enjoy the myths surrounding these ancient ways of seeing the world and making sense of things in their lives. I am reminded of the old Jewish saying that "God made man because he loved stories." And although I am a Christian it is not incompatible with my own belief in GOD and JESUS to try to understand what the ancients were trying to explain with regard to the people and events in their lives. I find it very interesting and rewarding.

I wish everyone a very Happy Lunar New Year of the Tiger. It may be a hectic year ... so hang onto your friends everyone... Let's give everyone a little extra care as some may be having a hard time...but with a little grace it could be the best year yet.


first laugh —
the baby makes a face
at his toy tiger...

[Art and haiku by Merrill Gonzales]



Deborah P Kolodji posted this message on Facebook. I repost here for readers who are not members of Facebook.

Raining Haiku...

On Saturday, Naia and I attended a "winter rain" haiku workshop at the Penisula Center Library in Rolling Hills Estates. Oleg Kagan was the facilitator and he developed a wonderful program around Penny Harter's haiku workshop chapter in The Haiku Handbook (Chapter 12).

Although the workshop was named "winter rain" after a David Lanoue translation of Issa, the day was bright and sunny. Oleg took it in stride. "This should be the beautiful day haiku workshop!" he said.

But all sun aside, it is raining. Raining haiku. It is splashing up everywhere, in unexpected places like road signs in WeHo.

http://www.studiolowry.info/pages/_NEW_additional.html

http://www.studiolowry.info/pages/_NEW.html

In addition to Rebecca Lowry's haiku art installation, haiku has been recently spotted on Ted Kooser's American Life in Poetry, in a J.D. Salinger obituary, and in Valentine displays at local bookstores, filled with Love Haiku, a new book of translations by Patricia Donegan with Yoshie Ishibashi.

Saturday, January 24, 2009

Basho, Coorte, Bly, and Burns

Norbert Blei, proprietor of Basho's Road, posted an intriguing excerpt from Art is: The Audacity of Still Life, an article by Benjamin Moser published in the February 2009 issue of Harpers Magazine. There is an interesting comparison in the works of still-life artist Adriaen Coorte and poet Matsuo Basho.

Parts of the Old North State experienced the season's first significant snowfall last Tuesday, blanketing areas with an almost "still-life" yet moving quality best described in a poem that appeared in today's offering of The Writer's Almanac:

Snowfall In The Afternoon

by Robert Bly

I
The grass is half-covered with snow.
It was the sort of snowfall that starts in late afternoon,
And now the little houses of the grass are growing
dark.

II
If I could reach down, near the earth,
I could take handfuls of darkness!
A darkness that was always there, which we never
noticed.

III
As the snow grows heavier, the cornstalks fade farther
away,
And the barn moves nearer to the house.
The barn moves all alone in the growing storm.

IV
The barn is full of corn, and moving toward us now,
Like a hulk blown toward us in a storm at sea;
All the sailors on deck have been blind for many
years.

"Snowfall In The Afternoon" by Robert Bly, from Eating the Honey of Words: New and Selected Poems. © Harper Flamingo, 1999.

I'll close with an interesting article published in the Christian Science Monitor entitled Scotland turns to 18th-century poet for economic stimulus.