Showing posts with label Rengay. Show all posts
Showing posts with label Rengay. Show all posts

Monday, August 29, 2011

Renray follow-up: We have a title!

My fellow renray collaborators and I would like to thank everyone who participated in naming our poem. After much deliberating, we have decided on Karen Bennett Lewis' suggestion of "Blue Ridge Harmonies" as the title for our piece.

Here's a repost with the title. Also we thought it would be fun to allow you to peer inside the mind of the poets. Our thoughts about what inspired our poems follows...

Blue Ridge Harmonies

easing into the day...
a dab of apple butter
on a biscuit              cd

mist settles
into the orchard        ac

yesterday's phantoms
cloister
in morning shadows          snm

loggia
autumn winds take respite        tf

mountain music
grandpa blows into a jug         cd

rocking chair creaks
on the porch's
uneven boards           ac

a spider tats
another row             snm

corn husks tossed
into the campfire
strains of kumbaya     tf

~   ~   ~

Commentary about Blue Ridge Harmonies by the poets:

easing into the day...
a dab of apple butter
on a biscuit   

Curtis Dunlap: My opening poem "easing into the day..." was workshopped with friends. I really have no special reason for choosing that poem to start the renray other than thinking it would be a nice way for us all to "ease" into the spirit of having fun writing a collaborative poem.

mist settles
into the orchard

Aubrie Cox: The phrase "apple butter" really caught my attention in Curtis' hokku. I wanted to continue on that idea as well as the "easing into" part of it, but also wanted to nudge the poem out of the house/kitchen as I imagined this taking. So looking at the idea of "apple butter," I tried to continue the mood and senses while taking everyone into a new direction. Not only is the person in the hokku easing into the day, but also the rest of the world.

yesterday's phantoms
cloister
in morning shadows  

Susan Nelson Myers: My response to Aubrie's first lines were immediate and sensory-loaded. I could both feel and hear the mist settling. Her orchard setting evoked an aroma of loamy soil which I associate with life's riches and fresh beginnings. As always happens when reading poetry, I let Aubrie take me on a trip and found myself in the shadowed corners of that orchard where the earth's scent is strongest - in recesses still damp and unexposed to the new day. To further develop the mystical sense of place, I wrote of phantoms...beings which I imagine cannot survive day's full light...perhaps things best left behind.

loggia
autumn winds take respite

Terri Hale French: In the verse previous to my first one, the word "cloister" really stood out to me, which got me thinking about nuns and monks and abbeys and monasteries. I like the word "loggia." A loggia is a building whose sides are open so the wind is able to sweep through. It is also a room for lounging, so I thought it a good place for the wind to take a break!

mountain music
grandpa blows into a jug

Curtis Dunlap: Terri's "loggia" poem inspired my "mountain music" poem. I wanted to link to her "autumn winds" and bring something auditory in a musical sense to the poem. I also wanted a unique "wind" instrument. I'd originally written "cider jug", which would also link to the the first verse but, after some discussion with my fellow poets, I decided to drop "cider", thinking that it could be implied with just the word "jug". Cider is often made in the "autumn".

rocking chair creaks
on the porch's
uneven boards

Aubrie Cox: While I wouldn't say Curtis is an easy act to follow, he always provides wonderful links to go off of—in both cases I never feel lacking of elements to link. Immediately, I thought of an old man sitting out on the porch of his cabin somewhere in the Appalachia, rocking away and blowing into his cider jug. Since there was no rocking chair, or porch, mentioned before, I really wanted to add it to the picture, while still giving Susan something that could move the renray forward. I also wanted to carry the music just a little further with the creaking of the boards, which is both mundane and rhythmic.

a spider tats
another row 

Susan Nelson Myers: Just the way my mind works...Aubrie's creaky, uneven floor boards sent me to ground again. (I do tend to scratch the underbellies in life. ) I immediately thought of the spider under that floor board, and if it's autumn? that spider's weaving her little heart out to grandpa's jug tune.

corn husks tossed
into the campfire
strains of kumbaya

Terri Hale French: Susan's last verse with the spider tatting another row had me thinking of rows of corn. The entire piece seems set in Autumn, which got me thinking of dried corn husks which are excellent to get a fire going. And what is a campfire without Kumbaya? Yes, my mind works rather curiously!

Friday, August 26, 2011

renray number 2 needs a title

A second "renray" has been written. The poets and poems appear in this order:

Curtis Dunlap, Aubrie Cox, Susan Nelson Myers, Terri French

The renray needs a title. My good friends and collaborators have agreed to let readers of Tobacco Road suggest a title. The title can be from a stanza in the poem or (and this could make things really interesting) a title that does not reference a stanza in the poem.

So, readers, what title or titles do you suggest for our renray?

Untitled

easing into the day...
a dab of apple butter
on a biscuit              cd

mist settles
into the orchard        ac

yesterday's phantoms
cloister
in morning shadows          snm

loggia
autumn winds take respite        tf

mountain music
grandpa blows into a jug         cd

rocking chair creaks
on the porch's
uneven boards           ac

a spider tats
another row             snm

corn husks tossed
into the campfire
strains of kumbaya     tf


August 24, 2011

Friday, August 19, 2011

A "renray"



Terri French, Ray French, Curtis Dunlap, Susan Nelson Myers

Four poets wanting to write a rengay penned a renray, so named for Ray French.

a renray

3 a
2 b
3 c
2 d
2 a
3 b
2 c
3 d



A renray by Ray French, Terri French, Susan Nelson Myers, and Curtis Dunlap (poems appearing in the same order).

Ephemera

updraft
mid-summer cloudburst
I re-light my cigar

smokescreens
the wind changes direction

ephemera--
this day's remains
a red stain

power outage
thirteen birthday candles

waxing in time
our love

cricket song
a flame burns low
in the hurricane lamp

on a moth's wing
a tale

Perseids--
an all night rain
so say my bones

And the video:

Saturday, February 6, 2010

Saturday updates - 2/6/2010

Krawiec to Teach Haiku Seminar
at World View Conference


Richard Krawiec has been asked to teach a seminar on 'How to Teach Haiku' at the 2010 World View Conference, which will be held at UNC Chapel Hill this year. This is an international conference that trains K-12 and community college instructors on 'Best Practices in Education' from around the world. Richard will train teachers on how to teach haiku.

The offer came about because of feedback and observations of workshops that Richard has been teaching funded by the Duke East Asia and Pacific Studies Program. Richard writes: "So it's based on direct observation of the work I do, by people I don't know, which makes it especially rewarding for me."



The 1000 Verse Renga

Alan Summers sent this message to the members of The 1000 Verse Renga:

Please check out Area 17 blog:

http://area17.blogspot.com/

about a number of 1000 Verse Renga Projects.

This is going to be the second exciting year for the Project.

Alan
founder/writer With Words
http://www.withwords.org.uk/



Sea, Mist and Sitka Spruce

William Scott Galasso announces a new book. Sea, Mist and Sitka Spruce is a new collection of over 150 haiku, senryu, tanka, haibun and short poems, 100+ pages w/ color photography. The book is $15.00 (includes postage & shipping), checks payable to the author. Address: 724 Walnut St. Edmonds, WA 98020. Further info is available via my new email address: scottgalasso@comcast.net. Thanks for your support.

May you enjoy a wonderful and inspiring 2010.

My very best wishes,

Scott



KATIKATI HAIKU CONTEST 2010

An open theme haiku contest with proceeds going to the Haiku Pathway project.

Thanks to Katikati Advertiser for sponsoring the bulk of the cash prizes - 18 & over: $NZ100 for first; $NZ50 for second and $NZ25 for third; 17 & under: $NZ50, $NZ25, $NZ15.

Rules:

- Poems should preferably be typewritten, otherwise clearly handwritten.

- Haiku should not have been previously published (including on the web or broadcast).

- Unlimited entries.

- Submit 2 copies of each haiku with 1 only including your name, address, phone number (no mobiles, please), e-mail address, and for the junior section only, your age. Putting several poems on an A4 sheet is fine.

- Entry fee: Within NZ: 18 & over $5 for 3 haiku or $2 for 1 haiku. 17 & under $1 for up to 2 haiku. For overseas entrants: $US5/3 haiku or $US2/haiku.

- Entries in hand by Friday, April 16. Post to: Katikati Haiku Contest, PO Box 183, Katikati 3166, Bay of Plenty, New Zealand.

- Results will be announced and presented on Sunday, June 6.

- A judge’s report will be sent by email, otherwise please include a stamped addressed envelope.

- Any entry not accompanied by the correct entry fee will be disqualified. Entrants send cash at their own risk.

- Inquiries to nzhaiku@gmail.com



Details about the World Haiku Festival 2010 In Nagasaki are located at the following link:

http://worldhaikureview.googlepages.com/worldhaikufestival2010innagasaki



Charlie Smith sent this link to the 3rd Annual Hexapod Haiku Challenge:

http://blog.insectmuseum.org/?p=148



Saša Važić sent the following links to the 2009 and 2010 Haiku Presence Awards:

http://haiku-presence.50webs.com/awards/awards09.html

http://haiku-presence.50webs.com/awards/awards.html

Saša also sent this link to the 2009 Haiku Senryu Tanka Rengay results:

http://www.hpnc.org/past-contests/2009-haiku-senryu-tanka-rengay-results



Kate MacQueen and Deborah Finkelstein submitted these links:

Sun CEO Tweets His Departure

Sun Microsystems' 'CEO no more': a haiku for his last day

Saturday, May 23, 2009

PoetTea Reading - rengay

Members of the North Carolina Haiku Society participated in the PoetTea Haiku Reading held at the Golden Flower Tai Chi Center in Winston-Salem today. Kate MacQueen, Bob Moyer, Dave Russo, Richard Straw, Stan Siceloff, and Curtis Dunlap read poems in front of a very kind and receptive audience. The format of reading poems and sampling exquisite teas works exceedingly well.This was the third PoetTea Reading in less than a year.

I will post video excerpts of this event on Tobacco Road. The first video is below: