Wednesday updates

A Hundred Gourds

The first issue of A Hundred Gourds: a quarterly journal of haiku, haibun, haiga and tanka poetry is now online.

http://ahundredgourds.com

The Editorial Team of A Hundred Gourds extends warmest thanks to everyone who submitted their work for consideration for this, our inaugural issue. Thanks to your enthusiastic welcome, it’s a bumper edition.

As well as haiku, tanka, haiga and haibun you’ll find essays, interviews and a review in the Expositions section. There is also a memorial Feature dedicated to the late Janice M. Bostok, Australia’s haiku pioneer.

Please join us in welcoming three new editors to the AHG team:

William Sorlien, of St. Paul, Minnesota, USA, is Renku Editor, already organising A Hundred Gourds’ first renku section, which will be published in AHG 1:2.

Susan Constable, of Vancouver Island, Canada, is the new Tanka Editor. Susan’s first tanka section will be published in AHG 1:2.

Mike Montreuil, of Ontario, Canada, is the new Haibun Editor. Mike’s first haibun section will be published in AHG 1:3.

A Hundred Gourds welcomes your submissions to the New Years’ editions.

·        Special notice for tanka & renku submissions to AHG 1:2 & 1:3

The submission period for tanka and renku only has been extended for the March issue, AHG 1:2. Submissions of tanka and renku received up to the 31st December will be considered for AHG 1:2. Tanka and renku submissions received between January 1st and March 15th will be considered for AHG 1:3. Please read the submissions guidelines page on the AHG website for further details.

The deadline for haiku, haibun, haiga and for the Expositions section of AHG 1:2 remains at December the 15th.

Lorin Ford, haiku editor,
for the Editorial Team
A Hundred Gourds

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Haibun Today (December 2011) is now online.

The winter quarterly issue of Haibun Today is now online for your reading pleasure at http://haibuntoday.com

Contributors to this issue include Melissa Allen, Deb Baker, Dawn Bruce, Owen Bullock, Steven Carter, Marcyn Del Clements, Glenn G. Coats, David Cobb, Anne Curran, Tish Davis, Cherie Hunter Day, Eduardo N. del Valle, Lisa Fleck Dondiego, Claire Everett, Jeffrey Harpeng, Ruth Holzer, Ken Jones, Robert W. Kimsey, Gary LeBel, Marie Lecrivain, Chen-ou Liu, Bob Lucky, Victor Maddalena, Marian Olson, Kathe L. Palka, Carol Pearce-Worthington, Stanley Pelter, Dru Philippou, Patricia Prime, William M. Ramsey, Ray Rasmussen, Bruce Ross, Cynthia Rowe, Miriam Sagan, Lucas Stensland, John Stone, Charles Tarlton, Diana Webb and Rich Youmans.

This issue also features reprints of historically and critically important documents on the art of haibun from difficult-to-find out-of-print or limited edition publications; these reprints include three essays by David Cobb that span the period 2000-2010 as well as an interview conducted by Rich Youmans with William M. Ramsey. In addition, Dru Philippou and Charles Tarlton in separate articles focus upon contemporary tanka prose while Tish Davis reviews the recent highlight of the same in special issues of the journal Atlas Poetica.

Writers are now invited to submit haibun, tanka prose and articles for consideration in the March 2012 issue of Haibun Today. Consult our Submission Guidelines at Haibun Today.

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Sunday Dec 4 Free Music, Dance, Poetry, Food

Sunday, December 4th, 3 -4pm 

Quail Ridge Books, Wade Avenue, Raleigh

Fleur de Lisa Vocal performances by Durham’s award-winning female vocal group (Best Original Song Competition, Harmony Sweeps Mid-Atlantic Regional Finals) Performing original compositions with poetry as lyrics.

Laurece West celebrated Durham jazz singer(International Women in Jazz). 

Stephanie Levin, Smoke of Her Body (Jacar Press)
Sensuous and precise, these poems explore the boundaries and transgressions between parents, children, lovers: the ways we confine one another, the ways we break free. 

“This one just has that punch in the stomach, ‘wow, who the f#!% wrote this’ factor going for it. I like how the poems are strong, yet understated, loud and quiet at the same time.” 

        - Dorianne Laux, The Book of Men (W.W. Norton)

Lou Lipsitz, If This World Falls Apart (Blue Lynx Poetry Prize)

Quiet and deep reflections upon our inner struggles: loss, psychological change, the ways in which we are unknown to ourselves. Many poems focus on men’s issues.

Kathryn Kirpatrick, Unaccountable Weather (Press 53)

Honest, moving and uplifting poems about the woman who undergoes mastectomy, the woman who survives, the woman as mother, lover, goddess.

Richard Krawiec, She Hands me the Razor (Press 53)

A stunning collection about love, loss, moving on, and finding love and transcendence again. Poems performed with dancer Claire Constantikes, director Neck of the Woods, Wake Forest.

Food samples from The Sound of Poets Cooking (Jacar Press). 

Part of the proceeds go to the Angel Tree at Quail Ridge Books.

Also, we may plan a holiday drop in on Sunday Dec. 11, in the afternoon, so kids can come.  Might ask anyone who writes, paints, crafts, to bring items for display upstairs in case anyone wants to shop.  Are any of you going to be around/interested on Dec. 11?

Richard Krawiec,

Check out my websites!

http://www.press53.com/BioRichardKrawiec.html

http://www.rkeditor.com/

http://jacarpress.com/index.html 

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the Basho-ki Pages are completely up!

http://cliffordroberts.tripod.com/bk.htm

I want to thank you once again for contributing to basho-ki 2011.

I hope you enjoy an obsessive compulsive walk around the haiku frog pond through the years with us.

leaping
into the sound
of haiku

kawazu
aka
Cliff T. Roberts,
President, Fort Worth Haiku Society
http://www.facebook.com/FWHaikuSociety
basho-ki http://cliffordroberts.tripod.com/bk.htm

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Contest for College Writers

Dear Professor,

We are writing to let you know about the sixth annual Anthony Abbott Undergraduate Poetry Award, a celebration of student writing, sponsored by the Charlotte Writers’ Club. We welcome poems from college students all over North Carolina. This year’s deadline is February 1, 2012.  There is no entry fee.

Judge this year is the renowned poet and nonfiction writer Rebecca McLanahan. Rebecca McClanahan has published nine books, most recently Deep Light: New and Selected Poems and The Riddle Song and Other Rememberings, which won the Glasgow Award for nonfiction. Her work has appeared in Best American Essays, Best American Poetry, in anthologies published by Norton, Doubleday, Putnam, and Beacon, and in numerous journals. Past recipient of the Wood Prize from Poetry, the Carter Prize from Shenandoah, a Pushcart Prize in fiction, and fellowships from New York Foundation for the Arts and North Carolina Arts Council, McClanahan teaches in the low-residency MFA programs of Queens University and Rainier Writers Workshop.

The contest winner will receive $150, and five honorable mentions will receive $50.  One special honorable mention of $100 will be given in honor of the founder of the contest, dramatist, poet, and art activist Louise Rockwell, who passed away last year.

Winners will be announced on April 17, at the Central Piedmont Community College Sensoria Event sponsored by the Charlotte Writers’ Club. Winning poets will have the honor of reading before a large audience of their peers alongside featured poet Dorianne Laux, in celebration of National Poetry Month.

This year for the first time we will accept online entries. Students entering poems must also provide proof of undergraduate status by having an instructors email a verifying statement to: lisa.williams.kline@gmail.com. Questions about the contest may be addressed to Terri Wolfe at twolfe900@gmail.com.

Complete guidelines appear on the Charlotte Writers Club website, www.charlottewritersclub.com.

Please urge your students to enter! And please forward this information to any other instructors you think might be interested.

Best,
Terri Wolfe                            
Lisa Kline
Co-chairs

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There will be a guest poet with a recipe and poem on The Frugal Poet web site soon.

Susan Constable - Three Questions

Susan Constable began writing haiku in 2006. Since then, she’s tried her hand at  haiga, haibun, and tanka. Her work has been published in over 30 journals as well as numerous anthologies including Montage: The Book, New Resonance 6, several Red Moon anthologies, and 57 Damn Good Haiku by Some of Our Friends. She enjoys chocolate on a daily basis, has learned to say no, never dyed her hair, and lives by the work motto: It’s not perfect, but better than it was. Susan lives with her husband on Vancouver Island, off the west coast of Canada.

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1) Why do you write haiku?

Mainly because I enjoy it. As soon as it stops being fun, I’ll move on to something else. In the meantime, I write at least one a day, no matter how bad it is . . . going by the philosophy that to write one good haiku, one must write a hundred bad ones. Writing haiku provides a wonderful incentive to observe nature (both human and otherwise) and to marvel at the intricacies of the world around us. I also write for the connection made with poets through reading and commenting on each other’s haiku and, to be honest, for the satisfaction of getting my work published.

2) What other poetic forms do you enjoy?

As I get older, my attention span seems to be shrinking so anything short is more likely to get my vote these days. Although I began by writing fixed forms, then free verse, all my writing now (and most of my poetry reading) is of haiku, tanka, and the occasional haibun. I thoroughly enjoy creating haiga and I’ve begun to dabble in some of the Japanese linked forms, but it’s still a bit of a struggle with anything longer than 12 verses.

3)  Of the many wonderful haiku you've written, what do you consider to be your top three?

What an impossible question! I have no idea what wonderful means, in this context, and doubt that I’ve written any such thing. However, here are three that I still like, even though they were published several years ago.


amber light
the time it takes
a leaf to fall

The Heron’s Nest, Vol X, 2008


no moon . . .  
the sound of leaves
catching rain

White Lotus Haiku Competition, “Commended”, #8, 2009


planting the garden –              
what to do with the rest
of my life

Simply Haiku, Vol 7 No 3, 2009


I’ve enjoyed your blog for quite some time, so it’s an added pleasure to share a few thoughts with you, along with some of my haiku. Thanks so much, Curtis, for all the time you spend on Tobacco Road, which is such a benefit to the haiku community.

Susan

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If you've been enjoying this series and have not contributed, please consider sharing your response - whether it be for haiku or tanka - to the three questions that Susan answered. You must be a published poet to participate.

Snapshot Press News

From Snapshot Press:

The Haiku Calendar 2012

The Haiku Calendar 2012 – the thirteenth annual calendar from Snapshot Press – is now available to order.

This attractive desk calendar features 52 haiku by 39 authors from around the world.

Not only is the standard of work in the calendar outstanding, but each year the press receives numerous comments on how effective the calendar is for introducing people to haiku (or vice versa) – all year long! Please consider supporting the press – and haiku! – by purchasing a copy for yourself and/or gift copies for friends, relatives, colleagues, etc.

Further details are available at http://www.snapshotpress.co.uk/calendars/the_haiku_calendar/2012.htm

In previous years orders placed by December 17 have arrived at the majority of overseas destinations before Christmas. However, the last recommended order dates for delivery before Christmas are

UK: Friday December 16

Western Europe: Saturday December 10

USA, Canada and Eastern Europe: Thursday December 8

Rest of World: Saturday December 3

But order now to avoid disappointment!

* * *

All work included in the The Haiku Calendar is selected each year from entries to the Haiku Calendar Competition.

The deadline for The Haiku Calendar Competition 2012 (for work to be considered for the 2013 calendar) is January 31, 2012. Entries may now be sent by email as well as by post. Please see the entry guidelines at http://www.snapshotpress.co.uk/contests/thcc/entry_guidelines.htm for details.


About the press: Founded in 1997, Snapshot Press is committed to furthering opportunities for the publication and consideration of ‘specialist’ and ‘mainstream’ poetry on an equal footing. The press is Britain’s leading independent publisher of haiku, tanka and other short poetry, with titles honoured by the Haiku Society of America and the Poetry Society of America.

“Snapshot Press sets the platinum standard for design and production values among haiku and tanka books. Their quality is unsurpassed. Indeed, books from Snapshot Press are always a tactile and poetic delight.”

—Michael Dylan Welch in Modern Haiku

* * *

The Snapshot Press Book Awards

This is the final call for submissions of unpublished collections of haiku, tanka, short poetry and haibun to this year’s Snapshot Press Book Awards.

Up to four Award winners will have their collections published by Snapshot Press.

If sending entries and/or entry fees by mail the last date these may be postmarked is Wednesday November 30. This is also the last date for paying the entry fee online.

For this year only, providing the entry fee is paid online or sent by mail by that date, manuscripts in electronic format may be entered by email up to and including Friday December 23 (this being roughly the last date that postal entries are expected to arrive from overseas due to delays associated with seasonal mail). So, in effect, there are still 4 weeks remaining in which to prepare and submit manuscripts.

Please note that there is no extension for the receipt of entry fees: for administrative reasons the entry fee itself must be sent or paid online by the end of November. Confirmation of receipt will be sent when both the entry fee and manuscript have been received.

Please see http://www.snapshotpress.co.uk/contests/book_awards/guidelines.htm for guidelines and further details.

* * *

eChapbook Awards

The winners of the inaugural Snapshot Press eChapbook Awards have been announced. 

Congratulations to Chad Lee Robinson, Carole MacRury, Kathe L. Palka, Marian Olson, Vanessa Proctor, Lorin Ford, Penny Harter and Beverly Acuff Momoi, who will have their collections published online throughout January and February.

A print anthology of outstanding work by these and other authors will also be published in 2012. The full list of poets with work selected for the anthology will be announced in December.

For further details please see http://www.snapshotpress.co.uk/contests/echapbook_awards/results.htm

The Snapshot Press eChapbook Awards are international annual prizes for unpublished short collections of haiku, tanka, short poetry and haibun. Submissions are open from March 1–July 31 each year. Please see http://www.snapshotpress.co.uk/contests/echapbook_awards/guidelines.htm for guidelines and further details.

Unpublished book-length collections of haiku, tanka, short poetry and haibun may be submitted for print publication to The Snapshot Press Book Awards. Please see http://www.snapshotpress.co.uk/contests/book_awards/guidelines.htm for guidelines and further details.

an'ya - Three Questions (Tanka)

an'ya has been published numerous times, placed in and judged many contests. She is currently the HSA Regional Coordinator for the state of Oregon. She also practices the art of suiseki and exhibits stones with haiku and tanka. The photo is of an'ya and her friend Cynthia Timar taken at the Bend Haiku Weekend this past June.

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1) Why do you write tanka?

I write tanka because on occasion there is a need to express more emotion than will go into a haiku. I enjoy the fact that tanka is a very old form and I like its rhythmic feeling.

2) What other poetic forms do you enjoy?

Haiku of course comes first for me, but I'm also a published mainstream poet. I have written everything from epic poems to pattern poems, and probably everything in-between before I settled on the Japanese forms.

3) Of the many wonderful tanka you’ve written, what do you consider to be your top three?

Well there are 2 familiar ones that everyone else seemed to like (which I never want to hear again ):


cold cemetery
the long sleeves of your old coat
warm my fingertips
even from beyond this grave
you manage to comfot me



old memories
like tangled fish hooks
impossible
to pick up only one
without all the others



but my personal favorite is this one:


midsummer's eve
underneath a rose moon
I'll wait for you
until my hands are bloodied
from holding back the dawn

an'ya

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If you've been enjoying this series and have not contributed, please consider sharing your response - whether it be for haiku or tanka - to the three questions that an'ya answered. You must be a published poet to participate.

Sunday updates

Aubrie Cox has made two excellent haiku ebooks available for download. Click on the titles to view/download.

Tea with Trolls

the backlit fog

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Charlotte Digregorio sent this:

Haikuists:

In the Chicago Metro area, we will meet Saturday, Feb. 11, 2012, from 10 a.m. to 1 p.m. at Winnetka Public Library,  768 Oak St., Winnetka, IL.

This will be a critique meeting. More details to come as the date draws near.

Charlotte also sent this:

Recap of November 2011 HSA Meeting in Chicago Area

HSA members met for a haiku critique session at Skokie Public Library in Skokie, IL on Saturday, Nov. 12. They were joined by
guests Cynthia Gallaher and Felicia Kaplan.

Participants each received critique of four haiku. Charlotte Digregorio, Midwest Regional Coordinator, stressed that participants should focus on the beauty of haiku for its simplicity and economy of words. For the benefit of many beginners in the group, she spoke of valuable journals, websites, and blogs by HSA members that would assist them in learning the art, along with using HSA’s website and Facebook page for timely information.

Illinois Member Tom Chockley announced that he and Missouri Member Jeanne Allison seek more haikuists to network with by
email. They wish to share haiku, questions, and ideas. To join them, members may contact Tom @ sino_chockley@hotmail.com

Charlotte began the session by speaking about why haikuists love the art and write it. She quoted Midwest HSA members who had
recently responded to that question in her blog. Among responses were:

“In this fast-fleeting world, I find the moment even more momentous. Writing a haiku that captures the wonder of time in
my own words and thought is a tiny miracle of gratitude.”

--Donna Bauerly, Iowa

“The reason I write haiku is what I would guess most people would say is their reason. To set down a marker for the really
important things in my life. A walk in the woods is so much better to focus on than memorializing your fears about a global financial meltdown, or a terrorist attack or the coming hurricane, etc.”

--Mike Rehling, Michigan

“I write haiku because of the joy I get from paying attention and noticing what’s going on around me and within me. I feel each day offers gifts of insight and moments worthy of contemplation or prayers of thanksgiving. I feel more alive when I am writing haiku!”

--Dr. Randy Brooks, Illinois

Next, Charlotte reviewed her “Basic Elements of Haiku” list, including guidelines such as avoidance of making judgmental
statements, and limited use of adjectives, the latter which the beginning haikuists found challenging. She also explained that in a three-line haiku, it’s important to give readers a sense of season, time, or place in the first line, so the image is clear to readers.

Among haiku presented at the meeting were:

november rains . . .
leaves spiral
into sewers

--Ilze Arajs


at the beach
in september
sunbathers milk the rays

--Jim Harper, Illinois

During the session, participants, as a group, brainstormed for winter images, and wrote this haiku:

april thaw . . .
footprints lead to
the merry-go-round

Charlotte said a February 2012 meeting in the Chicago area will take place, with members notified of particulars beforehand by email and notice appearing on the HSA website.

Members may contact Charlotte at her new email address, c-books@hotmail.com, with questions or concerns about activities.

--Submitted by Charlotte Digregorio

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Lorin Ford sent this:

Dear Readers and Contributors,

The inaugural issue of A Hundred Gourds will be a big issue. We are on track for the publication date of December 1st.

Thank you to everyone who submitted haiku to me for A Hundred Gourds, 1:1.

As well as haiku, tanka, haibun and haiga, the December issue will contain a retrospective feature on Janice M. Bostok’s haiku life, essays by John Carley, Jack Galmitz and Chen-ou Liu and interviews with two haiku poets whose names we’re keeping as a surprise.

Submissions for A Hundred Gourds 1:2, the March issue, will remain open until the deadline of December 15th.

I welcome your haiku submissions for AHG issue 1:2 any time up to and including December 15th. After that date, all submissions received will be held over for consideration for the June issue , A Hundred Gourds 1:3.

Please include your name and country of residence directly beneath the last haiku within the text of your email. Further details about submissions to all of the editors are on the A Hundred Gourds temporary webpage, here:

http://ahundredgourds.haikuhut.com/

On December 1st, this same url will take you to the inaugural issue and the temporary webpage will be abandoned.

warm wishes,

Lorin
--
Lorin Ford, haiku editor,
A Hundred Gourds

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Susumu Takiguchi sent this:

WORLD HAIKU REVIEW

Re: Call for Submissions for the Next Issue

Dear Kuyu,

The next issue of World Haiku Review (WHR) is planned for December 2011.

As for haiku poems in English or in English translation, send in by e-mail anything you like, traditional or non-traditional on any topic, free or formal style, kigo or muki, up to ten poems which have not been published or are not considered for publication elsewhere to both: kalaramesh8@gmail.com AND susumu.takiguchi@btinternet.com Please use the font "Ariel", size 12 and present your haiku in the simplest and most straightforward format, all starting from the left margin, avoiding fanciful layout and formation. Please do not forget to write your country with your full name. Suggested themes: happiness, unhappiness and autumn and/or winter scenes

The only criterion for selection is quality. Please therefore send in your finest works as soon as you can.

There is no set deadline but we will announce when enough number of good works are received, and the submission will be closed soon after that. We ourselves will put selected haiku poems in either the Neo-classical, Shintai (or new style) or Vanguard sections according to their characteristics. You, as the writer, therefore need not worry abouth this classification. Just send what happens to come out best and we will do the rest.

As for other works relating to haiku (haibun, articles, essays, haiga or bookreviews on haiku etc.), just send in whatever you think would deserve publication in WHR. Once again, quality is the key.

If you have books which you wish to be reviewed, send a review copy to me.

I will mention some indications about our selection below for those who may be interested to know them. (For detailed explanation, visit the Editorial of WHR August 2011 at: http://sites.google.com/site/worldhaikureview2/whr-august-2011)

We wish to continue to endeavour to present a unique haiku magazine which, while deeply rooted in tradition, is full of new ideas, innovative features or critical views. It will continue to aim at the highest standards and top quality as always.

Kengin to all,

Susumu Takiguchi
Managing Editor and Acting Editor-in-Chief, World Haiku Review
Chairman, The World Haiku Club

* * *

INDICATIONS FOR HAIKU SELECTION

THOSE LIKELY TO BE REJECTED

1 Hackneyed, clichés, imitative or derivative;
2 'So what?' haiku;
3 Too short to be good;
4 Made artificially vague (false 'yugen');
5 Gimmicky as opposed to real skills;
6 Bad English;
7 Template-like, or ticking-box-kind factory haiku;

THOSE LIKELY TO BE ACCEPTED

1 New and/or original;
2 Have something to say;
3 Reflecting truths, sincerity and honesty;
4 Coming from your heart and soul;
5 Based on your real and deep experiences;
6 If products of your imagination, true, fine and deep at that;
7 Away from rules & regulations and yet good;
8 Good choice and order of words;
9 Have good rhythm;
10 Pictorial and/or musical feel;
11 Have some sense of humour;
12 Reflecting the grasp of the essence of haiku (a sense of brevity, humour, somewhat detached view or karumi)

INDICATIONS FOR SELECTION OF OTHER WORKS

Basically, many things about haiku would apply to them as well. Additionally:

THOSE LIKELY TO BE REJECTED

1 Repeating what others have said many times;
2 Trapped by and subservient to rules and regulations;
3 Uncritical parroting of received views or conventional wisdom;

THOSE LIKELY TO BE ACCEPTED

1 Critical (the more so, the better);
2 Innovative;
3 New contributions to the understanding of haiku;

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Keibooks Announces Atlas Poetica 10 : A Journal of Poetry of Place in Contemporary Tanka


Press Release – For Immediate Release – Please post to all appropriate venues

7 November 2011 – Perryville, Maryland, USA

Today Keibooks releases Atlas Poetica 10, the latest issue of the highly regarded journal. ATPO 10 continues to publish tanka, waka, kyoka, and gogyoshi, along with sequences, prosimetrum, book reviews, announcements, and non-fiction articles on a variety of topics.

This issue focuses on gogyoshi, and publishes the ‘Declaration of Gogyoshi’ by Taro Aizu, the foremost advocate of gogyoshi working in English, as well as examples of the genre by various practitioners. It also has a focus on book reviews, including an in depth analysis of Denis M. Garrison’s First Winter Rain, by Charles Tarlton.

In addition, in keeping with Atlas Poetica’s dedication to scholarship about tanka, kyoka, and gogyoshi in various countries around the world, we are pleased to publish an article by Margaret Dornaus about Carles Riba and Catalonian tanka, as international contributions by poets from around the world.

Contributors to ATPO 10:

Amelia Fielden, André Surridge, Angie LaPaglia, Aubrie Cox, Autumn Noelle Hall, Bruce England, Carmella Braniger, Carol Raisfield, Charles Tarlton, Chen-ou Liu, Claire Everett, Cody Gohl, David Caruso, Edward J. Rielly, Elizabeth Moura, Gary Severance, Gerry Jacobson, Guy Simser, Hinemaia, Jacob Kobina Ayiah Mensah, James Tipton, James Won, Jeffrey Harpeng, 1Johannes S. H. Bjerg, Kath Abela Wilson, Luminita Suse, M. Kei, Margaret Chula, Margaret Dornaus, Margaret Van Every, Marilyn Humbert, Mark Burgh, Matt Esteves Hemmerich, Owen Bullock, Patricia Prime, Peggy Heinrich, Randy Brooks, Rosemerry Wahtola Trommer, Sonam Chhoki, Sylvia Forges-Ryan, T. J. Edge, Taro Aizu, Taura Scott, Terry Ingram, Tish Davis, Tracy Davidson

Purchase online at: http://atlaspoetica.org/?page_id=84

or through your favorite online retailer.

Keibooks
P O Box 516
Perryville, MD 21903

AtlasPoetica.org

--
M. Kei
Editor, Atlas Poetica
A Journal of Poetry of Place in Contemporary Tanka

Lucas Stensland - Three Questions

Lucas Stensland is the co-author of my favorite thing (2011), a collection of poetry from bottle rockets press. His poems have appeared in publications such as Frogpond, The Heron’s Nest, Mainichi Daily News, Mayfly, Modern Haiku, Presence Haiku Journal, Ribbons, Shot Glass Journal and Simply Haiku. He currently lives in Minneapolis with his cat, Townes Van Zandt.

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1) Why do you write haiku?

How and why I came to write haiku is one of my strangest memories. It happened a few years ago when I was staying at a tiny cottage inn in wintry rural Slovakia while on a poorly planned ski trip that I went on by myself. I was ungodly bored. Every evening I found myself staring into space or rereading my travel guide.

One night the elderly woman who cooked our meals came to me and handed me the only book they had in English. It was Higginson's The Haiku Handbook, an old and ragged copy missing its front and back covers. Stranger yet, some equally bored child had once used it as a coloring book. The entire thing. For two solid nights I poured over this eye-opening and popping volume and decided that haiku would be a permanent part of my life. Haiku color my relationship with the world, and my haiku act as snapshots of me stumbling through it.

2) What other poetic forms do you enjoy? 

I also enjoy tanka, haibun, tanka prose and other short poems. Senryu is probably what I write most often. I'm a big fan of the writings of Collin Barber, Christina Nguyen, Aubrie Cox, Liam Wilkinson, Melissa Spurr and Melissa Allen, as they write beautiful works without pretension.  

3) Of the many wonderful haiku you've written what do you consider to be your top three?

strip club parking lot
puddles not reflecting
the true me

(bottle rockets)



one night stand
two
too many

(Frogpond)



a bartender
I don't recognize
knows my drink

(Prune Juice)

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If you've been enjoying this series and have not contributed, please consider sharing your response - whether it be for haiku or tanka - to the three little questions that Lucas answered. You must be a published poet to participate.

Monday updates

Terry Ann Carter sent this:

 Hi Curtis, I have permission from Patricia for you to post this review on Tobacco Road.

Thanks, again, for all you do!

Click the book title to read Patricia Prime's review of: Lighting the Global Lantern: A Teacher's Guide to Writing Haiku and Related Forms

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Bookin’ It On Main: A Celebration of Black Writers

http://lingolit.wordpress.com/bookin-it-on-main/

For immediate release
November 1, 2011


Contact:
Susan Levi Wallach
bookin.it.on.main@gmail.com
803 466 / 5458

Haiku is ‘a way of life’ for poet Lenard D. Moore

Columbia, SC:  As an award-winning poet drawn to formal structures, Lenard D. Moore writes in more than thirty poetic forms, from bop, free verse, and kwansaba to sestina, triolet, and villanelle. But the form he favors most is haiku. Perhaps it is the challenge of working with only three lines totaling seventeen syllables. Perhaps it is because he sees haiku as “a way of life.” It is one he enjoys sharing: Moore, who is the first African American as well as the first Southerner to become president of the Haiku Society of America, will lead a workshop on writing haiku at “Bookin’ It On Main: A Celebration of Black Writers.”

Though haiku is a Japanese form whose history goes back hundreds of years, it is also popular among American poets, who, Moore said, “appreciate how haiku depicts what is happening now, how it includes a
contrast of two unlike things and how the reader must participate in the experience of it.”

Moore, who teaches at Mount Olive College in North Carolina, has been writing and publishing haiku for almost thirty years. Many appear in his own books “The Open Eye” and “Desert Storm, A Brief History.” In
addition, he has several books of longer poems, including “A Temple Looming” and “Forever Home.” His work also has been included in more than fifty anthologies, including Kwame Dawes' about-to-be-released
"Home Is Where." Among Moore's many honors, he is a three-time winner of the Haiku Museum of Tokyo Award. “I am drawn to the precision of imagery and the conciseness of language in haiku,” he said. “I also
like the oneness of existence with the natural world.”

There is more to haiku than format. A traditional haiku also includes a “kigo” —words or a word describing a particular season— that Moore said “contributes to the deepening of a haiku.” Nonetheless, Moore added, “I think there is room for experimentation in haiku, though it is important to understand the haiku guidelines and know how they work. When I teach a haiku workshop, I start with the haiku guidelines and discuss how they work to help the poet write effective haiku.”

“Bookin’ It On Main” will take place on Saturday, November 12, from 10 a.m. to 4 p.m. in and around the Columbia Museum of Art. The event will include free readings by sixteen poets, most of whom have poems included in Kwame Dawes’ new anthology, “Home Is Where,” along with ten writing workshops, live music, book signings, a vendor area, and for younger children, an all-day BYOB — Bring Your Own Book — during which children who bring in a picture book can have it read aloud to them. Workshop registration is under way at http://bookinitonmain.eventbrite.com/. For information on “Bookin’ It On Main,” please visit http://lingolit.wordpress.com/bookin-it-on-main or contact bookin.it.on.main@gmail.com.

Lenard D. Moore recently led a haiku workshop at the North Carolina Botanical Garden, in Chapel Hill. On November 12, he’ll give a public reading and lead a haiku workshop at “Bookin’ It On Main: A Celebration of Black Writers,” in Columbia. Photo credit: Dave Russo

~^~^~^~^~^~^~^~^~^
Bookin' It On Main: A Celebration of Black Writers

Columbia Museum of Art (Main and Hampton)
Columbia, South Carolina
November 12, 2011, 10 a.m. - 4 p.m.

Join Us!

bookin.it.on.main@gmail.com
http://lingolit.wordpress.com/bookin-it-on-main
Find us on Facebook and follow us on Twitter!

Charlotte Digregorio - Three Questions (Tanka)

Charlotte Digregorio is the author of four non-fiction books: “You Can Be A Columnist” and “Beginners’ Guide to Writing & Selling Quality Features,” both Writer’s Digest Book Club Featured Selections; “Everything You Need to Know About Nursing Homes;” and “Your Original Personal Ad.” She has been a faculty member at universities, teaching graduate and undergraduate writing, a writer-in-residence at colleges, and a speaker at writer’s conferences throughout the country. Since 1995, she has published Japanese-style poetry.

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1) Why do you write tanka?

I seem to think in haiku first. I sometimes turn to tanka when I can’t get a haiku that I have in mind to work. That is, I can’t condense the number of syllables, and I feel a need to be lyrical.

2) What other poetic forms do you enjoy?

I’ve been widely published and won awards in free verse and formal verse, including sestina and acrostic forms. However, I read all kinds of poetry.

3) Of the many wonderful tanka you’ve written, what do you consider to be your top three?

I think one person’s lyricism, might not be another person’s cup of tea, but three that I like are:



selling the home
of my childhood,
i walk into her closet
finding the shoes
i wobbled in

--East On Central, 2011-2012



selling the home
of my childhood,
cleaning every speck
of dust
before i disappear

--Modern English Tanka, Vol. 3, No.2, Winter 2008



moving from the coast
to the heartland
i wake in the morning
to the calm of the lake
seeking the pounding waves

--bottle rockets, Issue #20

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If you've been enjoying this series and have not contributed, please consider sharing your response - whether it be for haiku or tanka - to the three little questions that Charlotte answered. You must be a published poet to participate.

Weekend update

 Howard Lee Kilby sent this:

The Arkansas Haiku Society will host the 15th annual haiku conference in Hot Springs National Park, Arkansas at the library of National Park Community College on November 4th and 5th. Haiku poets from New Mexico to Maryland will be joining together with many southern states to enjoy haiku. There is no registration fee. The public is cordially invited to attend. For information email hkilby@hotmail.com (use Haiku Conference in the subject line) or telephone 501-767-6096.

Howard

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Ed Baker sent this:

---

One update and a Tobacco Road redo

Richard Krawiec sent this:

Reminder, there is a November 7 deadline for submissions to Notes from the Gean. Richard Krawiec is encouraging haibun writers to submit. Already have some work going in by established haibun writers, as well as two well-known free verse poets, including a Pulitzer Prize winner. http://www.notesfromthegean.com/submissions.html

Check out my websites!

http://www.press53.com/BioRichardKrawiec.html

http://www.rkeditor.com/

http://jacarpress.com/index.html

---

I posted the video below two years ago. I've since received a number of new readers and thought that they might enjoy a Basho reenactment. This short film is done really well. An Interview With Babak Gray, the Director of Bashō and the Travelogue of Weather-Beaten Bones can be located here.



Here is Gary Warner's response to the video.

Here is Bruce Ross's response to the video.

And finally, here are a few more responses to the video.

Wednesday updates

Gabriel Rosenstock sent this:

http://www.theawakenedeye.com/haiku_GR.htm#

http://www.theawakenedeye.com/artisans/rosenstock_haiga.htm#

---

Sasa Vazic sent this:

KLOŠTAR IVANIĆ

INTERNATIONAL CONTEST FOR HAIKU IN ENGLISH 2011 - RESULTS

Click here to see the Results

---

And finally, let's start the day off with a haiku reading:

Brendan Slater - Three Questions (Tanka)

Brendan Slater is a father and software developer from Stoke-on-Trent, England. He has been writing Japanese short form poetry since 2009. Brendan's work has been published in Ribbons, The Heron's Nest, Notes from the Gean, Presence, Acorn, Pirene's Fountain, DailyHaiga, Tinywords and Lynx.

---

1) Why do you write tanka?

Tanka gives me the freedom to use emotion overtly that haiku does not. Even though I started with haiku I found it too constrained and was not able to express my ideas fully, tanka allows me to do this.


2) What other poetic forms do you enjoy?

I enjoy all Japanese short forms, free-verse, and I am partial to English romantic verse.

3) Of the many wonderful tanka you've written, what do you consider to be your top three?

lost
under the stars
with nothing
but whispered insults
from the wind

Ribbons 6.2



face to face
in a world of sound bites
I listen
to what you read
between my lines

Ribbons 6.3



tonight
the tender moon
is waning
I mould myself around you
breathe when you breathe

Notes from the Gean 2.2

---

If you've been enjoying this series and have not contributed, please consider sharing your response - whether it be for haiku or tanka - to the three little questions that Brendan answered. You must be a published poet in order to participate.

Sunday updates

New Haiku Collection by Allan Burns

Dear Haiku Friend,

Red Moon Press has just published my first collection of haiku, distant virga.

The book is available online from RMP for $12 + S&H. It features cover and interior art by Ron Moss.

All the haiku have been published previously in a wide array of journals. The book brings them together in a convenient, sequenced bundle. Here are the back cover blurbs:

“Allan Burns’ haiku transport the reader into the sacred ground of life found in landscapes where earth is holy and wildlife thrives. Wit, heart, and intelligence color each carefully wrought poem with keen and sensitive observations. The poems in distant virga belong in every nature lover’s hand, backpack, or library. This collection is a gem.”—Marian Olson

“That Allan Burns values a healthy balance between humanity and the rest of nature is abundantly evident in this, his first collection of haiku. He is finely attuned to subtle interactions, especially those found at play in wilderness settings. Moreover, Burns exhibits an excellent feel for disjunction. As a result, I readily intuit the associations he makes and enjoy the emotions evoked before my mind can intervene. The revelations presented in this fine collection are often as surprising as they are delightful.”—Christopher Herold

This link will lead you to the order page:
http://www.redmoonpress.com/catalog/product_info.php?cPath=32&products_id=147

If you do snag a copy and have any thoughts about it, I'd of course be most interested to hear them.

All the best,
Allan

---

TURTLE LIGHT PRESS 2012 HAIKU CHAPBOOK COMPETITION
Do you have a collection of haiku/senryu that you would like to have published in a finely bound, handmade edition? Turtle Light Press is now accepting manuscripts for its third biennial haiku contest. The 2008 winner, Michael McClintock, has been writing, editing and publishing haiku for many years; our 2010 winner, Catherine J.S. Lee, is a relative newcomer who also just recently won the 2011 Robert Spiess Memorial Award sponsored by "Modern Haiku."

You can check out past winning books, Sketches From the San Joaquin by McClintock, All That Remains by Lee, or a full copy of the guidelines at www.turtlelightpress.com. The contest will be judged by Kwame Dawes and Rick Black. All manuscripts must be postmarked by December 1, 2011. Any questions, please email rick@turtlelightpress.com

We look forward to receiving and reading your entries!

Rick

---

Dear Haiku-Friends;

Chrysanthemum 10 is now online and ready to be viewed at:

www.chrysanthemum-haiku.net


beste Grüße/best wishes,

Dietmar Tauchner

Wednesday updates

Haiku in the Garden: A Haiku Walk and Writing Workshop

The North Carolina Haiku Society (NCHS)

Saturday, October 22nd 2:30 – 4:30

To many people, a haiku is a short poem of 17 syllables, written in three lines of 5, 7, and 5 syllables. In the Japanese haiku tradition, however, the 5-7-5 sound pattern is not sufficient to make a poem a haiku. There are other conventions of form and content that are more important. For example, traditional Japanese haiku include a “season word,” and they often try to convey a connection between Nature and human nature. They are often divided into 2 asymmetrical parts that do not make a complete sentence. They typically use simple language and present images with little or no commentary.

Not only that, but haiku conventions have become more complex since the early years of the 20th century, when many poets in Japan and elsewhere deemphasized the strict 5-7-5 pattern in order to focus on other elements of haiku form and tradition. Other poets have broken with tradition in order to seek new possibilities in haiku. http://nc-haiku.org/haiku-what.htm

This workshop will begin with an introduction of simple approaches to writing haiku. Participants will take a “haiku walk” in the Gardens and Nature Trail with NCHS members and follow-up with a discussion of the poems written by participants.

Fee:  $15 ($10 NCBG members)

---

Pris Campbell sent this:

I'm sending this to those of you who may be interested in my latest chapbook out: Postscripts to the Dead.

The ordering site that prints MiPo's chapbook series is offering a sales cut on all of their items until October 30, so now is the time to get a print copy if you want one. You have to register at the site to order but it's no big deal. I registered a year ago to buy a couple of chaps I wanted and they've sent me no spam.

http://www.magcloud.com/browse/issue/284771

6.71 sale price , plus shipping  (UNTIL OCT 30)  7.99  regular price , after Oct 30,  plus shipping. The book is 32 pages long. Color cover by Didi Menendez since this book is part of the MiPo series.

digital download is free. We just want people to read the book, not spend a fortune.

The first review is out and he quotes two poems from the book in their entirety which may help you make a decision. I'm excited about the book.

http://www.goodreads.com/review/show/224867608 (review by Grady Harp)

xPris

---

Notes from the Gean: press release

www.notesfromthegean.com

Dear Readers and Subscribers,

Our submissions page contains all the relevant information on how to submit. To be considered for any particular issue submissions must be in hand one month before the listed publication dates.

The next issue is due out December 1st but we have extended the submission period for an extra week to November 7th for our December 1st issue only.

Please also check our Gean News tab for any updates.

If you are experiencing any problems with the new web forms them please simply send your submissions by email to the relevant editors:

Haiku: a.williams@notesfromthegean.com

Tanka: m.mcclintock@notesfromthegean.com

Haiga: a.pomphrey@notesfromthegean.com

Haibun: r.krawiec@notesfromthegean.com

Linked forms: a.summers@notesfromthegean.com

Resources: c.s.jones@notesfromthegean.com

thank you

Colin Stewart Jones
Editor-in-Chief
NFTG

---

Richard Krawiec sent this:

I'm really excited that Lola Haskins is going to be the featured poet at the January 21 meeting of the NCPS.  I'm sure you all know her work, but in case you need to refresh yourself.

http://www.lolahaskins.com/

On Sunday, January 22, the day after the NCPS meeting, Jacar Press will be hosting her for a Master Class.  There will be limited seating, to insure everyone who attends gets direct feedback on their work.  We still need to work out the details of location and cost - which will be under $50, but how much under is dependent on where we hold the workshop.

Since all of you have been supportive of my work, and Jacar's work, in the past I wanted to give you the chance to reserve a spot before I go public with the announcement.

I do NOT want any money now, and I understand this is a tentative commitment.  But don't say you think you'd like to go if you're only 50/50.  If you're pretty confident you want to attend, barring unforeseen difficulties, let me know.

Lola is a well-connected poet, and a great person.  When I got Betty Adcock to critique poems at Quail Ridge Books, one of the poets who showed up ended up being published by a magazine where Betty knew the editor and recommended him.

That's one of the reasons why we go to these things. To develop those contacts.

But the main reason is, we just want to make our work better.

Let me know if you think you'd like to reserve a spot.
richard

--
Check out my websites!

http://www.press53.com/BioRichardKrawiec.html

http://www.rkeditor.com/

http://jacarpress.com/index.html

---

S E E  T H E  V O I C E !
VISIBLE VERSE FESTIVAL 2011

Fri, Nov 4 and Sat. Nov 5
Pacific Cinémathèque
1131 Howe St

Vancouver, BC, Fri Nov 4 and Sat Nov 5‹Curator and host Heather Haley and Pacific Cinémathèque enter their second decade of the Visible Verse Festival, an annual celebration that has become the sustaining venue for artistically significant poetry video and film in North America. It has always featured a strong component of B.C. and Canadian work; now Visible Verse attracts more international submissions than ever before.

Friday evening¹s far-reaching program is a showcase of more than 35 short films and videos from Canada, the U.S., Europe, and Asia.

 On Saturday afternoon at 4 pm, the festival presents an Artist Talk and Q&A with pioneering videopoet Tom Konyves, author of the newly released VIDEOPOETY: A Manifesto. Signed hard copies will be available for sale.

Immediately following at 5 pm, Heather Haley hosts a Visiting Poets Reading with esteemed visual poet Alexander Jorgensen from Pennsylvania and California¹s dynamic performance poet Rich Ferguson. Admission is by donation for both events.

For further information, including high def images, contact:

Heather Haley
Pacific Cinémathèque
778 861-4050
hshaley@emspace.com
http://www.cinematheque.bc.ca/visible-verse-festival-2011

---

Roberta Beary's work will be featured in A Companion to Poetic Genre (Blackwell Companions to Literature and Culture).

The hardcover edition of Roberta's book entitled The Unworn Necklace can be purchased at Amazon.com. The Unworn Necklace received a Merit Book Award from the Haiku Society of America and was a finalist in the Poetry Society of America’s William Carlos Williams Award – the first book of haiku to receive such recognition.

Susan Nelson Myers - Three Questions

Susan Nelson Myers is a poet, artist, beekeeper, and small business entrepreneur who resides in Mayodan, North Carolina. Her work has appeared in Contemporary Haibun Online (online and print edition), The Dead Mule School of Southern Literature, Frogpond, and Prune Juice and is forthcoming in a number of other publications.  Susan was one of four poets to write the first renray entitled Ephemera, a collaborative genre of poetry for two to four people that emphasizes jazz-like improvisational verse. Susan also provided a Spanish translation of Ephemera.

Susan received an editor’s commentary for her haibun entitled a pot of beans and a Best of the Net 2011 Nomination for her free verse poem entitled Fourteen Days. Susan also received a Denny’s Award for her "removing sandals" haiku.

---

1) Why do you write haiku?

i enjoy the focus required by haiku.  focus on a moment...focus on the richness of the right word in the right place...focus on resonance.

2) What other poetic forms do you enjoy?

i enjoy haibun and tanka, but my first love will always be haiku.

3) Of the many wonderful haiku you've written, what do you consider to be your top three?

autumn’s palette —
a flash
of crow’s wing blue

Frogpond - Volume 34, Number 2, Spring/Summer 2011



swell’s cusp —
i stand on top
of rain

Frogpond - Volume 34, Number 2, Spring/Summer 2011



removing sandals
i breathe deep
the horse’s mane

Denny’s Award - XIII Calico Cat International Bilingual Haiku Contest - Origa Kankodori Press -
http://origa.livejournal.com/184757.html

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If you've been enjoying this series and have not contributed, please consider sharing your response (whether it be for haiku or tanka) to the three little questions that Susan answered. You must be a published poet in order to participate.

Sunday updates

 A Hundred Gourds

A Hundred Gourds now has a temporary webpage where you will find the basic submission guidelines and information.

There is also an opt-in facility for those who would like to receive news and updates.

http://ahundredgourds.haikuhut.com/

We welcome your submissions of haiku, tanka, haibun, haiga and articles/ essays relevant to the haikai genre for the March 2012 issue until the submissions closing date of December 15th, 2011.

Though the url for the inaugural issue in December will change slightly, the site will remain available via this link as well.

A big thank-you to Mike Rehling, who is generously hosting A Hundred Gourds.

- Lorin Ford, haiku editor
 for the editorial team
A Hundred Gourds

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Journal of Renga & Renku 

Many thanks to all who entered this year's JRR Renku Contest. In total we received 52 poems from 29 sabaki (lead poets) in 11 countries on four continents, which I believe is a record number of entries for any non-Japanese renku contest. Our judge, the renowned renku poet and editor Eiko Yachimoto, is now reading the entries. The winning poem will be published, together with a detailed critique, in the next issue of Journal of Renga & Renku, to appear at the end of 2011. All entries will be considered as content for inclusion in the journal.

The editors
Journal of Renga & Renku
http://www.darlingtonrichards.com/

Follow us on Facebook at http://www.facebook.com/journal.of.renga.renku

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Ed Baker sent the following URL:

http://poemsandpoetics.blogspot.com/2011/10/ed-baker-three-excerpts-from-stone-girl.html

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J. Zimmerman sent this:

Wild Violets

The just-published Wild Violets (the 2011 Yuki Teikei Haiku Society Annual Haiku Anthology) is a labor of love, full of haiku, haibun, and essays about modern haiku practice: a great gift book.

It showcases selected haiku by 57 poets (including Kevin Goldstein-Jackson, Christopher Herold, Deborah P. Kolodji, Patricia J. Machmiller, Michael McClintock, Patricia Prime, Billie Wilson, and Teruo Yamagata) from the USA, Europe, New Zealand, and Japan.

Ten informative essays explore the practice of haiku in a wide sense, suggesting ways that readers might add to their haiku toolkit. The first three essays concern our core tools:

    "Kigo: A Poetic Device in English Too" by Patricia J. Machmiller;
    the saijiki, as in Anne M. Homan's "The Task of Writing a Sajiki;" and
    the ginko, adapted to the "Urban Ginko" by Deborah P. Kolodji.

Other essays include "Haiku with Very Few Verbs" by Jerry Ball, "Haiku … Zen—What's the Diff?" by Christopher Herold, and "Gendai Haiku: Why Should We Care?" by Patrick Gallagher.

Selected micro-haibun are for nine of the poets.

The anthology's title is from a haiku by Patricia J. Machmiller:


   the little child
   wanting only to be held—
   wild violets

Edited and introduced by Jerry Ball and J. Zimmerman, the anthology's poems and text are enhanced by Ann Bendixen's powerful yet elegant art. Judith Morrison Schallberger designed the anthology and Harry Lafnear designed the cover.

Wild Violets is available pre-paid by check made out to Yuki Teikei Haiku Society (YTHS) of $12 plus p&p ($5 USA; $10 for Canada, Mexico, or Europe; $12.00 for Asia, Australia, and New Zealand). Include your mailing address with your payment to: YTHS Treasurer, 6116 Dunn Avenue, San Jose, CA 95123, USA.

Printed at Patson's Press, Sunnyvale (September 2011) Wild Violets is 70 pages plus folding inserts; 6" x 9". Glossy art covers; perfect bound. ISBN 978-0-9745404-9-8.

Our editors' introduction can be read at:
http://www.baymoon.com/~ariadne/form/haiku/anthology.yuki.teikei.htm#2011

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Roberta Beary's The Unworn Necklace was recently reviewed on Basho's Road.

The Unworn Necklace is available at Amazon.com.

---

Penny Harter sent this:

I was invited by the Unitarian Church to give the morning message on August 21st. My topic was using writing, specifically poetry, to move from loss and grief into healing and light. I spoke of my several journeys  through loss and grief (divorce, death of my parents, and loss of my husband) and incorporated a number of my poems. My talk was about 1/2 hour long, and they posted it on their web site. To see it, please go to:

http://www.uucsjs.org/sermons.html and scroll down to August 21st.

I'm moved to post this today because today, October 11th, is the third anniversary of my husband Bill Higginson's death.It was a privilege to share my journey with the congregation. I offer another message on November 21st, this one on honoring the planet. I'll share poetry that focuses on the natural world----poems that witness what we've done to harm the Earth, and poems that celebrate its beauties and gifts. I'll post a link to that one too if they video it.

[I've also embedded Penny's video here.]

---

Let's close this update with a little flute music this beautiful Sunday morning:

Monday updates

Good day to you all!

I have power issues with my laptop so please bear with me while I struggle with this new...bump in the road.

Here are a few news items:

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A new issue of Notes from the Gean was recently published online.This issue is loaded with a lot of great stuff to read. Browse over to http://www.notesfromthegean.com/ and check out the contents page.

BTW, my sincerest thanks to the editors for publishing two renray in the new issue.

---

Season's greetings - autumn is now fast coming on here in Kyoto. The crickets are beginning to quieten their cries.

Kindly spread the word about the Kikakuza International Haibun Contest's transmutation into next years's Genjuan International Haibun Contest if you possibly can. Nobuyuki Yuasa and I would much appreciate it being posted on any English/international haiku sites or in newsletters this autumn. The renaming is explained and guidelines outlined in the attachment (in two different Word formats). For good measure, however, I will copy them out below, too. We will look forward to another good entry from many countries around the world. Entry is free again. Deadline: late January.

The Hailstone Haiku Circle site, the Icebox, at  http://hailhaiku.wordpress.com/ also carries the guidelines, as well as last year's top four pieces to read (both items are accessed by links at top right). You can also see there (scroll down a little on the top page) the book we have produced of the first three years' Decorated Works and order it if you like. There are some new translations of haibun by Basho, Buson, and Issa at the back. There will be a few review/gift copies available shortly, but only a few!

Thank you in advance for any help you can give our Contest. If ever in the Kyoto-Osaka area, please drop by.

Best wishes,
Stephen Gill (Tito)

(and on behalf of Nobuyuki (Sosui), too)

---

Turtle Light Press sent this update.

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 The 14th International Apokalipsa Haiku Contest

 Deadline: March 15, 2012 

No of entries: up to 6 original unpublished haiku (in one of the former Yugoslavian languages and/or in English) not under consideration elsewhere.

Topic and form: any

Send four (4) copies of each haiku, or group of haiku, signed by a cipher, along with a separate sheet in another envelope with your cipher, name, age, profession, address, phone number and email address to:

APOKALIPSA
Ulica Lili Novy 25
1000 Ljubljana
Slovenia

(subject: For haiku contest)

or to

revija@kud-apokalipsa.si

In which case enclose two attachments, one with haiku and another with your personal data, both signed by your cipher.

Judges: Edin Saračević, Silva Trstenjak and Alenka Zorman.

Winners will receive some practical prizes. Contest results will be published in Apokalipsa Review.

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Haiku Hot Springs, November 4th and 5th

Hi Curtis,

We may be adding people to the program.

This is our first working schedule.

Howard


9:00 AM  Welcome & Haiku Sharing....Howard Lee Kilby and R. Paul Tucker, MD, Arkansas Haiku Society
9:30 ......"Senryu"  by Patricia Laster, Poets Roundtable of Arkansas, Benton, AR,
10:30 ...."Liminality" by Susan Delphine Delaney, MD, Plano, TX
11:30 ...Lunch Break
1:00 PM... "Writing a Haiku Blog"  by Margaret Dornaus, Writer and Teacher
2:00    ... "Japanese Calligraphy Demonstration" by Mickey Hulsey
3:00 ... Ginko Walk and Kukai lead by Johnye Elizabeth Strickland, Professor Emeritis, UALR

Saturday: NOV 5, 2011

9:00 AM Announcements - Participants
9:30  Workshop ...Tom Painting, Teacher, Atlanta, GA
11:30  Lunch Break
1:00 "The Rubaiyat of Omar Khayyam" by Omar Almobarak, Hot Springs, AR
2:00 "Panel" Beginning Haiku Poets"  Rev. Gail Paul, Hot Springs, AR
3:00 Haiku Friends Autumnal Gift Exchange ... led by Susan Delphine Delaney, MD
        (Please bring a wrapped gift a haiku poet would enjoy, (about $10 or pre-loved.)

There are poets expected from Arkansas, Louisiana, Mississippi, Oklahoma, Tennessee and Texas.

The program is subject to change with the addition of confirmed haiku poets.

Please let me know if there is any information I can share with you.

Thank you very much,

Howard Lee Kilby
PO Box 1260
Hot Springs National Park, Arkansas 71902-1260
Tel: 501-767-6096
Email: hkilby@hotmail.com

---

 HAIKU REALITY / STVARNOST CALLS FOR SUBMISSIONS

http://haikureality.webs.com/

Your submissions (up to 6 unpublished haiku in English and your mother tongue, haiga, essays, interviews, book reviews) are welcome.
Please read the submission guidelines before submitting: http://haikureality.webs.com/ohaikureality.htm

Beginning with the next issue English Haiku Editor and one of the two selectors (besides Jasminka Nadaskic Djordjevic) of the best haiku of the issue will be Robert D. Wilson, who will take an'ya's place, as she has to concentrate more on her many other obligations.
Thank you very much to an'ya for her excellent collaboration! 

Deadline: October 31, 2011.

Warmly,
Saša Važić

Gabriola Island

I apologize for the small hiatus. My daughter, Alana, and I moved recently. We're still located in the little old southern town of Mayodan, North Carolina. I know it may sound a bit cliché but there truly is no place like home.

I'd like to thank everyone, near and far, who have helped and supported me during this transition. Sometimes you have no idea just how large your family can be until you need someone to talk to or a shoulder to lean on. I am forever indebted to you all.

BTW, Alana recently contributed to Paw Prints, her school newspaper. Chapter one of Alana's story entitled Black, White, and Gold appears on page seven of the September issue of Paw Prints. Yes, I'm a proud father of a remarkable 12 year-old.

Okay, let's talk poetry!

I no longer do reviews on Tobacco Road. Frankly, I don't have time. However, occasionally I receive a book from someone that is so captivating that I am compelled to spread the news. Tidepools: Haiku on Gabriola is such a book. Edited by Michael Dylan Welch, Tidepools is is a splendid book of haiku, senryu, haibun, rengay (and more) by poets who gather annually at the home of Naomi Beth Wakan on Gabriola Island, British Columbia. This book is more than an anthology of spectacular poems: It is also a guideline as to how haiku gatherings should be conducted, in an air of mutual respect, teaching and learning. Participating poets pay tribute to Gabriola Island in Tidepools with their poems:


sun-worshippers
their discarded clothes
find the shade

Harvey Jenkins
Nanaimo, British Columbia


Silva Bay
watersplash from the tips
of a toddler's toes

Naia
Oceanside, California


pale and wet
drips the winter moon
from the painter's brush

Leanne McIntosh
Nanaimo, British Columbia

Naomi Beth Wakan's free verse poem,  How to Write a Haiku, on page 26 is instructional and fabulous!

I hope I can find my way to Gabriola Island someday. Until then, I'll read and reread this remarkable book.

I'll have another post for you soon.